2019
DOI: 10.1007/s00426-019-01187-1
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Tonal and textural influences on musical sight-reading

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Cited by 13 publications
(12 citation statements)
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“…With the continuous development of the music education system, the teaching concept and teaching methods of sight-singing and ear training have been innovated; however, the teaching form has been using classroom teaching and training for many years, and this boring teaching form is not only inefficient but also greatly affects the students' interest in learning and lack of learning initiative [6]. Although more and more multimedia tools and teaching software are being used in the classroom for sight-singing teaching, these tools (software) can only assist in teaching, and the existing online courses and online learning platforms, which only provide learners with rich learning resources and different learning pathways, do not yet meet the needs of intelligent teaching [7]. ere is a lack of research on the design and implementation methods of intelligent guidance systems, and only a few visual singing learning systems are still inadequate in terms of personalization and intelligence [8].…”
Section: Introductionmentioning
confidence: 99%
“…With the continuous development of the music education system, the teaching concept and teaching methods of sight-singing and ear training have been innovated; however, the teaching form has been using classroom teaching and training for many years, and this boring teaching form is not only inefficient but also greatly affects the students' interest in learning and lack of learning initiative [6]. Although more and more multimedia tools and teaching software are being used in the classroom for sight-singing teaching, these tools (software) can only assist in teaching, and the existing online courses and online learning platforms, which only provide learners with rich learning resources and different learning pathways, do not yet meet the needs of intelligent teaching [7]. ere is a lack of research on the design and implementation methods of intelligent guidance systems, and only a few visual singing learning systems are still inadequate in terms of personalization and intelligence [8].…”
Section: Introductionmentioning
confidence: 99%
“…Even if this relationship only existed for a subgroup of participants—tonal language speakers—this suggests that cognitive abilities might be critical for musical listening capacities. Moreover, more complex musical material also puts a strain on working memory: For example, Lewandowska and Schmuckler (2020) found that pianists make more errors when playing polyphonic textures than homophonic textures. Indeed, polyphonic textures demand more planning and motor control, which require more working memory resources.…”
Section: Wmcmentioning
confidence: 99%
“…These factors, to varying degrees, drive online processing of musical information, including perceptual organization . complexity (Eerola et al, 2006;Schmuckler, 1999), similarity (Prince, 2014;Schmuckler, 2010), memory (Dowling & Fujitani, 1971;, and performance (Drake & Palmer, 2000;Lewandowska & Schmuckler, 2019). Given this wealth of evidence, it is clear that both of these components play central roles in all aspects of musical behavior.…”
Section: Introductionmentioning
confidence: 99%