“'Tis no such killing matter”: Rape in Fletcher and Shakespeare's<i>Cardenio</i>and in Lewis Theobald's<i>Double Falsehood</i>

Leigh, Lori

doi:10.1080/17450918.2011.589059

Cited by 2 publications

(1 citation statement)

References 5 publications

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“…More securely attached people tend to use more words related to inclusion (Cassidy, Sherman, & Jones, 2012). A message's content can indicate a person's culture and time (e.g., Leigh, 2011), and more socially connected people make more social references in their self-concepts (Burke & Dollinger, 2005). Even one's preoccupations (e.g., food, drinking, sex) are often apparent in the content of one's language, which is predictive of later behaviors (Robinson, Navea, & Ickes, 2013).…”

Section: The Psychology Of Languagementioning

confidence: 99%

Did Shakespeare WriteDouble Falsehood? Identifying Individuals by Creating Psychological Signatures With Text Analysis

Boyd

Pennebaker

2015

Psychol Sci

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More than 100 years after Shakespeare's death, Lewis Theobald published Double Falsehood, a play supposedly sourced from a lost play by Shakespeare and John Fletcher. Since its release, scholars have attempted to determine its true authorship. Using new approaches to language and psychological analysis, we examined Double Falsehood and the works of Theobald, Shakespeare, and Fletcher. Specifically, we created a psychological signature from each author's language and statistically compared the features of each signature with those of Double Falsehood's signature. Multiple analytic approaches converged in suggesting that Double Falsehood's psychological style and content architecture predominantly resemble those of Shakespeare, showing some similarity with Fletcher's signature and only traces of Theobald's. Closer inspection revealed that Shakespeare's influence is most apparent early in the play, whereas Fletcher's is most apparent in later acts. Double Falsehood has a psychological signature consistent with that expected to be present in the long-lost play The History of Cardenio, cowritten by Shakespeare and Fletcher.

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Section: The Psychology Of Languagementioning

confidence: 99%

Did Shakespeare WriteDouble Falsehood? Identifying Individuals by Creating Psychological Signatures With Text Analysis

Boyd

Pennebaker

2015

Psychol Sci

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The “Unscene” and Unstaged in Double Falsehood, Cardenio, and Shakespeare’s Romances

Leigh¹

2013

The Creation and Re-Creation of Cardenio

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“'Tis no such killing matter”: Rape in Fletcher and Shakespeare'sCardenioand in Lewis Theobald'sDouble Falsehood

Cited by 2 publications

References 5 publications

Did Shakespeare WriteDouble Falsehood? Identifying Individuals by Creating Psychological Signatures With Text Analysis

Did Shakespeare WriteDouble Falsehood? Identifying Individuals by Creating Psychological Signatures With Text Analysis

The “Unscene” and Unstaged in Double Falsehood, Cardenio, and Shakespeare’s Romances

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