DAFX: Digital Audio Effects 2011
DOI: 10.1002/9781119991298.ch6
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Time‐Segment Processing

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Cited by 4 publications
(5 citation statements)
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“…The synthesis technology that ultimately was adopted for this project resembles granular synthesis (see [5]), in that a multitude of short sound sources formed an ensemble output (likened to a 'swarm') rather than forming clearly separable events that might be heard as distinct in time and space. In all sonifications designed for the current work in this way, there was always a hypothesis to be tested regarding which parameters of the data were 'mapped' to particular synthesis parameters.…”
Section: Sound Synthesis For the Sonificationsmentioning
confidence: 99%
See 1 more Smart Citation
“…The synthesis technology that ultimately was adopted for this project resembles granular synthesis (see [5]), in that a multitude of short sound sources formed an ensemble output (likened to a 'swarm') rather than forming clearly separable events that might be heard as distinct in time and space. In all sonifications designed for the current work in this way, there was always a hypothesis to be tested regarding which parameters of the data were 'mapped' to particular synthesis parameters.…”
Section: Sound Synthesis For the Sonificationsmentioning
confidence: 99%
“…It is beyond the scope of this paper to present the details of the synthesis technology that was developed and refined through experimentation with the available multidimensional proteomic data. Suffice it to say that swarms of percussive 'grains' (again, see [5]), synthesized with 'parameter-mapped' control over multiple timbral attributes, were distributed in time and space according to the distribution of proteomic data that featured 1815 variables observed over the nine cases to be examined.…”
Section: Sound Synthesis For the Sonificationsmentioning
confidence: 99%
“…Time expansion is a well-known and widely adopted technique, for example, in digital signal audio processing [6][7][8][9][10][11][12][13][14] where both basic and advanced algorithms are available in order to change the playback speed of a recorded signal and, if needed, preserve the pitch. At times, the available hardware does not have enough computational power to put in place sophisticated algorithms or, more simply, if the output signal has to be in analog form, strictly speaking, fully digital processing may not be required.…”
Section: Introductionmentioning
confidence: 99%
“…Time-scale modification (TSM) refers to a change in the duration or the playback speed of a sound that does not affect its spectral characteristics, such as pitch, timbre, and brightness [1,2,3]. If an audio signal is simply played at a different sample rate, the frequency content is deemed to be changed as the formants of the sound are moved.…”
Section: Introductionmentioning
confidence: 99%
“…TSM has been long used in speech, e.g. in audio books and language-learning services [4,5,6], music and remixing [7], broadcasting services [2], and streaming platforms [8]. The ratio between the modified and the original time support is controlled by the TSM factor α, defining time stretching for α > 1 and time compression for α < 1.…”
Section: Introductionmentioning
confidence: 99%