"Thy Voice Squeaks": Listening for Masculinity on the Early Modern Stage

Bloom, Gina

doi:10.1086/rd.29.41917346

Cited by 25 publications

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“…For further examinations of the significance of hair to masculinity see Patricia Parker, “Barbers and Barbary”; Anu Korhonen, “Strange Things Out of Hair.” For an analysis of the voice as a sign of maleness see Gina Bloom, “’Thy Voice Squeaks.’”…”

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Shakespeare and Masculinity

Feather

2015

Literature Compass

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The peculiar challenge posed by studying Shakespearean masculinity is its resistance to inquiry. Patriarchal ideologies function precisely by taking a specific form of male power, the power of the father, as neutral, given and, therefore, not an available object of study. Scholars have faced this challenge by examining masculinity at those very moments when it falters and fractures. The study of Shakespeare's male characters has an extensive history, and for much of that history, these characters were interesting and significant because they told us something about mankind, about human beings in general. Examining masculinity rather than men, scholars rethought the study of maleness as a feminist project and made a fertile space for historical study that draws out the contours of manliness in all its historical specificities. Such study lays the groundwork for new analyses that interrogate the association between masculine attributes and culturally valued forms of self. These analyses do more than simply question the dominance of men but propose alternative ideas of the masculine and alternative forms of human flourishing.

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confidence: 99%

Shakespeare and Masculinity

Feather

2015

Literature Compass

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Boy Companies and Private Theaters

Shapiro¹

2004

A Companion to Renaissance Drama

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Children of the Queen's Revels

Munro

2005

128

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Originally published in 2005, this book provides a detailed study of the Children of the Queen's Revels, the most enduring and influential of the Jacobean children's companies. Between 1603 and 1613 the Queen's Revels staged plays by Francis Beaumont, George Chapman, John Fletcher, Ben Jonson, John Marston and Thomas Middleton, all of whom were at their most innovative when writing for this company. Combining theatre history and critical analysis, this study provides a history of the Children of the Queen's Revels, and an account of their repertory. It examines the 'biography' of the company - demonstrating the involvement in dramatic production of dramatists, shareholders, patrons, audiences and actors alike, and reappraising issues such as management, performance style and audience composition - before exploring their groundbreaking practices in comedy, tragicomedy and tragedy. The book also includes five documentary appendices detailing the plays, people and performances of the Queen's Revels Company.

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"Thy Voice Squeaks": Listening for Masculinity on the Early Modern Stage

Cited by 25 publications

References 0 publications

Shakespeare and Masculinity

Shakespeare and Masculinity

Boy Companies and Private Theaters

Children of the Queen's Revels

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