Three Reviews of the 1994 International Computer Music Conference

Garton, Brad; Helmuth, Mara; Christiansen, Anna Sofie

doi:10.2307/3680602

Cited by 3 publications

(4 citation statements)

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“…The patch used to transform the singer’s voice was written with Max/MSP (Figure 4). During the performance, the sound was processed and played through Max with the music programming language RTcmix (Garton and Topper 1997). An 8.1 sound system is required to realise the intended spatial effects that are designed for the piece.…”

Section: Music Creation – Vocal and Electroacousticmentioning

confidence: 99%

Liubai Technique in the Real-time Electroacoustic Chinese Art Song ‘Lang Tao Sha’ (浪淘沙)

Mengchun¹,

Zhang²

2022

Org. Sound

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Liubai (留白, literally ‘leaving blankness’) is a unique method of expression in Chinese classical paintings. The core spirit of the technique is inextricably linked to ancient Chinese Taoism and traditional aesthetics, which are prominently featured by simplicity and nationality. This article, taking the real-time interactive electroacoustic Chinese art song ‘Lang Tao Sha’ (浪淘沙), explores the use of the artistic technique of liubai from the perspective of a soprano singer by focusing on the three aspects of lyrics, vocal music and electroacoustic music creation, and singing performance.

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Section: Music Creation – Vocal and Electroacousticmentioning

confidence: 99%

Liubai Technique in the Real-time Electroacoustic Chinese Art Song ‘Lang Tao Sha’ (浪淘沙)

Mengchun¹,

Zhang²

2022

Org. Sound

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“…CMix evolved to RTcmix adding the Real Time (RT) to the language name and the capability to be a real-time software "language" for doing digital sound synthesis and signal processing (GARTON; TOPPER, 1997). Developed in C/C ++ language, RTcmix is open source and free of charge.…”

Section: Specific Domain Languages (Sdl) For Musicmentioning

confidence: 99%

“…For this reason, the potential advantages of DSLs include reduced maintenance costs through re-use of built-in features and increased portability, reliability, optimization and testability (DEURSEN;KLINT, 2002). Domain Specific Languages are also common in art field since this approach was used to develop languages like Csound (VERCOE, 1981), Supercollider (MCCARTNEY, 2002) or RTCMix (GAR-TON;TOPPER, 1997).…”

Section: Introductionmentioning

confidence: 99%

Mosaicode and the visual programming of web application for music and multimedia

Schiavoni¹,

Gonçalves

Sandy

2018

Hodie

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The development of audio application demands a high knowledge about this application domain, traditional program- ming logic and programming languages. It is possible to use a Visual Programming Language to ease the application development, including experimentations and creative exploration of the language. In this paper we present a Visual Programming Environment to create Web Audio applications, called Mosaicode. Different from other audio creation platforms that use a visual approach, our environment is a source code generator based on code snippets to create complete applications.

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“…The virtual person always faces north so that panning envelopes make intuitive spatial sense when viewing the map onscreen. All audio processing takes place on the server using RTcmix (Garton and Topper 1997), and the resulting soundscapes are seamlessly streamed to the browser as MP3 files (Freeman 2009).…”

Section: Design and Implementationmentioning

confidence: 99%

Soundscape Composition and Field Recording as a Platform for Collaborative Creativity

et al. 2011

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In this paper, the authors describe and discuss UrbanRemix, a platform consisting of mobile-device applications and webbased tools to facilitate collaborative field recording, sound exploration, and soundscape creation. Reflecting on its use at workshops, festivals and community events, they evaluate the project in terms of its ability to enable participants to engage with their aural environments and to uncover their own creativity in the process.

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Three Reviews of the 1994 International Computer Music Conference

Cited by 3 publications

References 0 publications

Liubai Technique in the Real-time Electroacoustic Chinese Art Song ‘Lang Tao Sha’ (浪淘沙)

Liubai Technique in the Real-time Electroacoustic Chinese Art Song ‘Lang Tao Sha’ (浪淘沙)

Mosaicode and the visual programming of web application for music and multimedia

Soundscape Composition and Field Recording as a Platform for Collaborative Creativity

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