Three-dimensional acquisition of large and detailed cultural heritage objects

Guidi, Gabriele; Frischer, Bernard; Russo, Michele; Spinetti, Alessandro; Carosso, Luca; Micoli, Laura Loredana

doi:10.1007/s00138-006-0029-z

Cited by 44 publications

(20 citation statements)

References 18 publications

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“…WisLM questions the recall of the story, the metamorphosis that occurs when memories are converted to speech; it is in essence a work addressing the subjectivity of memory and the past. This is a line of work inspired by previous developments of the use of technology for the preservation of culture, of historical heritage or social collective, such as Rome Reborn [106], Pompeii [149], the Forbidden City [125] and Uruk [45]. There is a lineage of works focusing on the reconstruction of sites historically relevant for human heritage.…”

Section: Mediated Memories In a Virtual Worldmentioning

confidence: 99%

On Computational Ecosystems in Media Arts

Antunes

2016

Leonardo

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DECLARATIONI hereby declare that I composed this thesis entirely myself and that it describes my own research.Rui Filipe Nicolau Lima Antunes 10th of October, 2013 2 This research is an exploration of issues surrounding the artistic production of Computational Ecosystems. A Computational Ecosystem is a system of agents designed to emulate, in the computer, biological systems where autonomous individuals are organized in a hierarchical food chain and interact by trading units of energy. This thesis maps out this field and examines the modes of production and functions of these systems. The central claim is focused on how the narratives normally associated with these systems and their functioning are two complementary, but separate entities. By virtue of considering these separately the computational ecosystem is argued to be an abstract generative engine for heterogeneity, spontaneity, and even novelty. It is contended that the set of methods of production developed by exploratory artists using these artefacts might be instrumentalized as generative methods for the animation of general purpose non-player characters in virtual worlds.

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Section: Mediated Memories In a Virtual Worldmentioning

confidence: 99%

On Computational Ecosystems in Media Arts

Antunes

2016

Leonardo

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“…Generally speaking, the digitization of cultural heritage often involves large objects that must be scanned with high precision [83,96]. The acquisition systems must be portable so it can be used in situ.…”

Section: Perspectivesmentioning

confidence: 99%

Integration of 3D and multispectral data for cultural heritage applications: Survey and perspectives

Chane

Mansouri

Marzani

et al. 2013

Image and Vision Computing

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Cultural heritage is increasingly put through imaging systems such as multispectral cameras and 3D scanners. Though these acquisition systems are often used independently, they collect complementary information (spectral vs. spatial) used for the study, archiving and visualization of cultural heritage. Recording 3D and multispectral data in a single coordinate system enhances the potential insights in data analysis.We present the state of the art of such acquisition systems and their applications for the study of cultural heritage. We also describe existing registration techniques that can be used to obtain 3D models with multispectral texture and explore the idea of optically tracking acquisition systems to ensure an easy and precise registration.

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“…[25][26][27] Systems like GPS (Global Positioning System) are rarely considered in the field LSDM although they are actually employed in many kind of measurement of large-scale structures specially in shipyard for shipbuilding industry and industrial ports, as well as for topographic and architectonic surveying. 15,[28][29][30][31][32] Currently, we can say that there is an overlapping between the areas of traditional tracking systems, for example GPS, and systems commonly used for LSDM application. In fact, just as GPS can be used for dimensional measurement, many typical LSDM systems are used for indoor tracking.…”

Section: Introduction and Literature Reviewmentioning

confidence: 99%

Large-scale dimensional metrology (LSDM): from tapes and theodolites to multi-sensor systems

Franceschini

Galetto

Maisano

et al. 2014

Int. J. Precis. Eng. Manuf.

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Last decades witness an increasing interest in Large-Scale/Large-Volume Dimensional Metrology (LSDM). Many fields of application, ranging from construction to shipbuilding and aerospace, have shown more and more accurate and versatile systems for geometric control and tolerancing. Especially in the last ten years, optical technology has registered a fundamental step forward both in terms of metrological performances, versatility and convenience of use. This is further demonstrated by the current large diffusion of laser tracker and photogrammetric systems. The growth is also complemented by the development of new standards, even though a comprehensive body specific for LSDM is still lacking. The twofold aim of the present survey is to present a bibliographical and bibliometric analysis of the field and to propose a scheme of classification of the main current approaches. As an output of this paper, a "LSDM Multi-perspective Model" is introduced, according to which dominant technologies and restrictions are analyzed with the aim of individuating current lacks and defining the roadmap for future development of new instruments and systems.

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Three-dimensional acquisition of large and detailed cultural heritage objects

Cited by 44 publications

References 18 publications

On Computational Ecosystems in Media Arts

On Computational Ecosystems in Media Arts

Integration of 3D and multispectral data for cultural heritage applications: Survey and perspectives

Large-scale dimensional metrology (LSDM): from tapes and theodolites to multi-sensor systems

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