Abstract:Florine Stettheimer's painting Soiree (1917-19), which serves as the frontispiece to this essay, depicts what may be considered a self-portrait of sorts: a scene representing a social gathering at the Stettheimer salon on the Upper West Side. As depicted in the painting, habitues of differing social, political and artistic backgrounds have come
together to socialize with other artists, enjoy the food displayed in the foreground, and view the new work painted by their hostess; in fact, Florine herself is repres… Show more
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