2016
DOI: 10.3390/publications4040032
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Think of It as a Trailer… for a Book

Abstract: Abstract:The seemingly overnight emergence of a form of promotion known as 'book trailers' shortly after the turn of the millennium suggests a shift in the marketing and promotional strategies employed within the publishing industry. This article follows the historical development of the audio-visual form known as the 'book trailer' across its history with a view to understanding the form itself. This article uses third party mediation to identify 'book trailers' within the public domain, grounding this work w… Show more

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Cited by 3 publications
(2 citation statements)
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References 7 publications
(21 reference statements)
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“…Aliagas-Marín and Margallo [2], Basaraba [5], Brössel [9], Dimova, Slavova-Petkova and Luchev [13], Ehret, Hollett and Jocius [14], Ibarra-Rius and Ballester-Roca [18], Rius and Roca [45], Romero Oliva, Ponce and Hernández [46], Rosa [47], Simões and Costa [50], Virani [61], Vollans [63] examine the problem of the usage of book trailers as a new form of media communication and involvement the students in reading. Therefore, future teachers-philologists need to master this method, which belongs to cloud technologies [37].…”
Section: Peculiarities Of Application the Cloud-based Services In Hig...mentioning
confidence: 99%
“…Aliagas-Marín and Margallo [2], Basaraba [5], Brössel [9], Dimova, Slavova-Petkova and Luchev [13], Ehret, Hollett and Jocius [14], Ibarra-Rius and Ballester-Roca [18], Rius and Roca [45], Romero Oliva, Ponce and Hernández [46], Rosa [47], Simões and Costa [50], Virani [61], Vollans [63] examine the problem of the usage of book trailers as a new form of media communication and involvement the students in reading. Therefore, future teachers-philologists need to master this method, which belongs to cloud technologies [37].…”
Section: Peculiarities Of Application the Cloud-based Services In Hig...mentioning
confidence: 99%
“…Популярность буктрейлеров как источника информации, не требующего затрат во времени и особых интеллектуальных усилий, только возрастает. Они выступают как «культурная единица» [198], актуальное социокультурное явление, формирующее моду в молодёжной читательской среде. Но «цикл жизни» подобного формата видеоинформации, возможно, подходит к концу: ему на смену в ближайшем будущем придут новые технологии трансляции идей, смыслов, своих личных историй.…”
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