Theresienstadt

Adler, H. G.; Cooper, Belinda; Loewenhaar-Blauweiss, Amy; Adler, Jeremy; Arnovitz, Benton

doi:10.1017/9781139017053.006

Cited by 2 publications

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“…Therefore, an Elder was 'powerless against even the lowliest SS man.' 22 It wasn't long before Theresienstadt followed the patterns of most 'inferior' ghettos, characterized by starvation, overcrowding and disease. The residents, given only a meager diet of limited cabbage and potatoes, were pushed to the brink of starvation.…”

Section: Theresienstadt Ghetto: Origins and Conditionsmentioning

confidence: 99%

Theresienstadt Ghetto: Propaganda, Paintings, and Protest

Agarwal¹,

Cho²

2021

J Stud Res

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Throughout history, art has been used to express, emote, and empathize. It has provided a lens to understand history beyond figures and statistics, through the eyes of the people. The aim of this research study was to conduct a case study analysis of an art movement that emerged from the Theresienstadt Ghetto as a protest movement against the endeavor by the Nazis to use the Jewish inmates and their work as a tool of propaganda during the Holocaust. This paper consists of two parts. First, a detailed discussion of the environment of Theresienstadt was presented to show its evolution from the Nazis’ deceptive intent to put forth the illusion that it was a haven for Jewish people to the deterioration of living conditions and the audacious birth of an artistic hub upon the initiative of the Jewish inmates. Second, an in-depth analysis of four key works of art created in Theresienstadt, namely Transport Arrival by Leo Haas, a sketch by Helga Weissova, The Song is Over by Pavel Fantl, and Film and Reality by Bedrich Fritta, showcased the extraordinary courageous spirit of the artists in optimizing the meager resources they had to fight against their oppressors.

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Section: Theresienstadt Ghetto: Origins and Conditionsmentioning

confidence: 99%

Theresienstadt Ghetto: Propaganda, Paintings, and Protest

Agarwal¹,

Cho²

2021

J Stud Res

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show abstract

“…Göring's July authorization referred to a plan for the entire German sphere of influence in Europe, not just for Germany and the Protectorate. 26 Both Himmler and Eichmann (later in his conversation with Wetzel) definitely treated the fall deportations as temporary. 24 As of September 13, Eichmann also told the Foreign Office that no deportation of Serbian Jews to the General Government or Russia was possible, for not even German Jews could be lodged there.…”

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confidence: 99%

A Reply to Martin Broszat Regarding the Origins of the Final Solution

Browning¹

1989

The „Final Solution“

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Theresienstadt

Cited by 2 publications

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Theresienstadt Ghetto: Propaganda, Paintings, and Protest

Theresienstadt Ghetto: Propaganda, Paintings, and Protest

A Reply to Martin Broszat Regarding the Origins of the Final Solution

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