Theory of Colour Harmony and Its Application

Weingerl, Primož; Javoršek, Dejana

doi:10.17559/tv-20170316092852

Cited by 7 publications

(6 citation statements)

References 40 publications

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“…Their study suggests that designers do not create themes that match templates unless encouraged to do so by the interface. Contrary to popular belief, no evidence is found that hue templates (geometric rules in a color circle) can directly predict compatible colors [28], and preferences are not rotationally-invariant about the color wheel. In short, designers do not create themes that match templates unless encouraged to do so by the interface.…”

Section: Color Compatibility From Large Datasetscontrasting

confidence: 61%

Generating Harmonious Colors through the Combination of n-Grams and K-means

Sharma,

Tandukar,

Bista

2023

J. Comput. Theor. Appl.

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Among the many approaches to studying color harmony tried so far, a relatively recent method is to leverage a large number of human-created and ranked color palettes, such as those hosted at colourlovers.com. Analysis of these large datasets could provide insights into the nature of color harmony but is usually overwhelming because of the sheer number of slightly differing colors. It is possible to quantize the colors in these color palettes to a manageable set of discrete colors without significantly affecting the harmony perception of the palette. Considering the quantized colors as words and the palettes as sentences, it is possible to form and compute the probabilities of n-Grams in the sentences. In this study, we create bigrams and trigrams from the corpus of highly ranked color palettes and use them to predict new color combinations. Respondents were asked to like or dislike the patterns colored with these color combinations. It was found that the new color combinations thus formed were almost as harmonious and pleasing as the originals.

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Section: Color Compatibility From Large Datasetscontrasting

confidence: 61%

Generating Harmonious Colors through the Combination of n-Grams and K-means

Sharma,

Tandukar,

Bista

2023

J. Comput. Theor. Appl.

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“…Weingerl & Javorsek [9] said that colour is an essential component in visual design and graphic design promotion. Many designers consider colour as one ofe the most essential element in the design itself.…”

Section: Discussionmentioning

confidence: 99%

Batik Kawung as Key Visual for the Graduation Ceremony of the UMN

Adiwijaya

2024

Atlantis Highlights in Social Sciences, Education and Humanities

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Pattern design that serves as key visual has an essential role to captivate audience's eyes and becoming a design identity that can display a strong message in many creative projects. In Indonesia, especially in the region of Central Java and Jogjakarta, there are multiple traditional Batik pattern designs that have deep philosophical meaning, symbolism and cultural values that can be utilized as a key visual for many design forms, including Batik Kawung Pattern. In a creative perspective, Kawung Pattern offer many opportunities to be explored as a primary design element due to it's strong philosophy and design adaptability, which suits Universitas Multimedia Nusantara's need to uphold local heritage as a main theme of each of their graduation ceremony. This paper breakdown the research and creative process to develop a pattern design for the 24th graduation ceremony of the UMN that conveys traditional Batik Kawung pattern and translate it to a contemporary design for exhibition purposes. The development process starts by researching a historical and philosophical meaning that is implanted in Batik Kawung motives, designing pattern for the main mock up asset and its implementation towards various design derivatives, such as stage panel mock up, photo booth panel, and motion graphics videos.

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“…Colour schemes used in modern style are mainly monochromatic with some accent. This scheme develops an ambience by creating a focus Weingerl & Javorsek (2018). Shades and tints of blue, grey, orange, neon green, olive green was mostly visible in this style Sandeva & Despot (2016).…”

Section: Modernmentioning

confidence: 98%

Fusion of Modern Interior Style and North Indian Traditional Interior Style

Sharma,

Goel,

Choudhary

2023

ShodhKosh J. Vis. Per. Arts

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The interior design style of different states of India has been the subject of considerable research in disciplines such as art forms, handicrafts and cultural identities of interior styles. But modernization of the world has created a rage of creating minimalistic spaces, this caused the need for the fusion of traditional into modern interior style. This helped in retaining our culture and preserving the traditional practices as well as artworks. The research elaborated different ways to fuse elements like space, texture and colour from North Indian traditional into Modern interior style. The fusion is supported with the help of six case studies of houses with fused interior design style from North Indian states. The paper concludes with the identification of different ways in which designers and homemakers can fuse traditional into modern interior styles.

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Theory of Colour Harmony and Its Application

Cited by 7 publications

References 40 publications

Generating Harmonious Colors through the Combination of n-Grams and K-means

Generating Harmonious Colors through the Combination of n-Grams and K-means

Batik Kawung as Key Visual for the Graduation Ceremony of the UMN

Fusion of Modern Interior Style and North Indian Traditional Interior Style

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