2010
DOI: 10.1057/9780230106000
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Theorizing the Sexual Child in Modernity

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Cited by 108 publications
(92 citation statements)
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“…We have also shown how girls' sexuality is ever more surveilled and regulated in an era where age-appropriate sexual behaviour is intensely scrutinised through international 'sexualisation' moral panics (Egan and Hawkes 2010). We have suggested that while 'sexualisation' as a policy discourse has usefully pointed to the problems of the hypersexualisation of girls bodies, the solutions it proffers are typically moralistic and call for a return to a middle class fantasy of girl innocence and virginity (Renold and Ringrose 2011).…”
Section: Slutwalks As a Politics Of 'Re-signification'?mentioning
confidence: 99%
“…We have also shown how girls' sexuality is ever more surveilled and regulated in an era where age-appropriate sexual behaviour is intensely scrutinised through international 'sexualisation' moral panics (Egan and Hawkes 2010). We have suggested that while 'sexualisation' as a policy discourse has usefully pointed to the problems of the hypersexualisation of girls bodies, the solutions it proffers are typically moralistic and call for a return to a middle class fantasy of girl innocence and virginity (Renold and Ringrose 2011).…”
Section: Slutwalks As a Politics Of 'Re-signification'?mentioning
confidence: 99%
“…To be a child is to be 'naturally' innocent, unknowing of sexuality -an assumption and discourse that has been widely critiqued (Lloyd and Duveen 1992;Higonnet 1998, Epstein andJohnson 1998;Walkerdine 1997, Renold 2005, Blaise 2005, 2010b2013b, Hawkes and Egan 2010, Egan 2013Faulkner 2010;Robinson 2012, Taylor 2010, Bruhm and Hurley 2004. Research into young children's peer cultures has shown them to be deeply engaged in constructing their own sexualities and/through regulating those of others, engaged in 'doing' sexuality as they are 'doing' gender (e.g.…”
Section: Er: Do You Like It?mentioning
confidence: 99%
“…In this way, as Egan and Hawkes (2010) have pointed out, the innocent girl is always haunted by the possibility of the girl 'gone skank' (Oppliger, 2008), who is represented as dirty or trashy in a way which is often clearly classed and racialised (Ringrose, forthcoming 2012): as other commentators have pointed out, it is low-cost shops like Primark and R&B music videos which are most frequently the objects of concern. In the case of the innocent girl, blame and responsibility are located in popular culture and media which can easily 'get into' the girl -rather like the demons of previous eras (Barker, 2011).…”
mentioning
confidence: 99%