1987
DOI: 10.1080/00438243.1987.9980033
|View full text |Cite
|
Sign up to set email alerts
|

Themes in the prehistoric art of Zimbabwe

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1
1

Citation Types

0
9
0

Year Published

1997
1997
2020
2020

Publication Types

Select...
6
1

Relationship

0
7

Authors

Journals

citations
Cited by 15 publications
(9 citation statements)
references
References 6 publications
0
9
0
Order By: Relevance
“…World-wide archaeological and ethnographical evidence show a range of designs of projectiles with microlithic inserts (Clark, 1969;Clark et al, 1974;Clark, 1977;Gvosdover, 1952;Leroi-Gourhan, 1983;Odell, 1978;Brooks and Wakankar, 1976;Garlake, 1987). In the Levant no complete or almost complete projectiles indicating design or mode of microlith hafting have been found.…”
Section: Introductionmentioning
confidence: 99%
“…World-wide archaeological and ethnographical evidence show a range of designs of projectiles with microlithic inserts (Clark, 1969;Clark et al, 1974;Clark, 1977;Gvosdover, 1952;Leroi-Gourhan, 1983;Odell, 1978;Brooks and Wakankar, 1976;Garlake, 1987). In the Levant no complete or almost complete projectiles indicating design or mode of microlith hafting have been found.…”
Section: Introductionmentioning
confidence: 99%
“…However, even though oral narratives support this view, shortcomings are notable in that greater reliance is placed on individual memories, which are prone to biases and distortions. Nevertheless, archaeological evidence supports the former view (Garlake, 1987(Garlake, , 1990).…”
Section: Discussionmentioning
confidence: 57%
“…Place names adapted from flora and fauna connote to the relationship early inhabitants of Bindura had with the environment. The San and the Khoi who first inhabited Zimbabwe were hunters and gatherers (Garlake, 1982(Garlake, , 1987(Garlake, , 1990(Garlake, , 1995Mlambo, 2014) and left traces of their lives through naming places out of nature. Colonialism is memorialised by European names of farms, mines and streets (especially of the Hospital Area).…”
Section: Discussionmentioning
confidence: 99%
“…It starts in Angola, Zambia, Malawi and northern Mozambique and extends northwards through the DRC and Tanzania as far as Uganda and Kenya (Anati 1986;Chaplin 1974;Garlake 1995;Kwekason and Chami 2003;Leakey 1983;Mturi and Bushozi 2002;Posnansky and Nelson 1968;Smith 1997). Desmond Clark (1959) was the first to recognize this region as a zone of art and termed it the "central African schematic rock art zone".…”
Section: The Red Geometric Traditionmentioning
confidence: 98%