Abstract:Though Rousseau is recognized to have treated the problem of self‐knowledge with great sensitivity, very little is known about a centrally important aspect of that treatment—his understanding of self‐deception. I reconstruct this conception, emphasizing the importance of purposive but sub‐intentional processes that work to enhance agents' self‐esteem. I go on to argue that Rousseau's fundamental concern about the theater is its capacity to manipulate these processes in ways that make spectators both complicit … Show more
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