Abstract:In his last novel The World of Nagaraj (1990), R.K.Narayan re-presents the quintessential South Indian village of Malgudi, which he had created and re-created over and over again in one novel after another since its genesis in 1935 in Swami and Friends. In The World of Nagaraj the infiltration of postmodern self-reflexive metafictional elements that commingle with the portrayal of Malgudi life produces a new kind of Malgudi novel. In the novel Narayan focuses on the art of storytelling and the world of a story… Show more
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