The Ways of Synesthetic Translation: Design models for media accessibility

Riccò, Dina

doi:10.21606/drs.2016.269

Cited by 4 publications

(2 citation statements)

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“…The analysis of literature (Haverkamp, 2013;Riccò, 2016) defined a spot at the intersection between visual design and sound, and the integration with semiotics and the synesthetic approach is shown to be crucial to meet cross-sensorial needs. The subsequent sub-chapters, and the related approach schematization Fig.…”

Section: Scientific Approachmentioning

confidence: 99%

How a Technology Identity Can Enhance the Diffusion of Good Design Practices in Product Sound Design

Degiorgis,

D’Addario,

Lerma

et al. 2024

Diid

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People are plugged into an intangible sound universe. But only a tiny part of the sounds we are exposed to have been purposefully designed. Recently, designers are bashfully approaching these intangible products’ quality. Product Sound Design represents, in fact, a promising research field still scarcely explored. The design community is answering this concern through new design methods. An Italian university developed a patented method-and-tool, conceived to collect, analyze, and recreate various sounds to develop a new generation of products with designed mechanical (and, eventually, digital) sounds. Spreading this innovation within the design community is fundamental to stimulate future more focused and aware practices. As well as all new technologies, the new patent didn’t have its own identity from the beginning. Extensive work conducted with the scientific approach has therefore been undertaken to redesign its identity to make its disruptiveness intelligible and understandable.

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Section: Scientific Approachmentioning

confidence: 99%

How a Technology Identity Can Enhance the Diffusion of Good Design Practices in Product Sound Design

Degiorgis,

D’Addario,

Lerma

et al. 2024

Diid

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“…Correspondencias intermodales y su uso en el diseño (emocional): la relación entre la sinestesia y el diseño ha sido profusamente explorada en el contexto académico y profesional de la disciplina (Haverkamp, 2015;Rhodes, 2015;Riccò, 2016;Wang et al, 2012;Westerman et al, 2012) en su mayoría asociando formas con ideas o conceptos específicos. Sin embargo, a la luz de los antecedentes presentados hasta aquí, es necesario establecer que la gran mayoría de las propuestas que integran formas con conceptos, sentidos o emociones de manera intelectualmente consciente (como EmotiveModeler) están aprovechando en realidad las correspondencias intermodales y no las capacidades sinestésicas como declaran hacerlo.…”

Section: La Sinestesia Y La Correspondencia Intermodal Como Mediadore...unclassified

Análisis preliminar para la morfogénesis de objetos con alto significado afectivo a partir de las emociones

Jacob-Dazarola

Reyes²

2018

kepes

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El presente artículo expone la investigación preliminar desarrollada mayoritariamente a través de la revisión bibliográfica para establecer un marco teórico capaz de evidenciar las relaciones existentes entre la disciplina del diseño, en particular su enfoque denominado diseño emocional, y la tarea implícita en la labor de los diseñadores de “dar forma” a las cosas con el fenómeno conocido como correspondencias intermodales, actuando estas últimas como un puente entre lo intangible (ideas, conceptos, emociones) y lo material (formas, objetos, artefactos). Las correspondencias intermodales pueden ser definidas como la capacidad humana de interpretar los estímulos de una modalidad sensorial con los sentidos de otra. Durante la revisión llevada a cabo se pudo comprobar la existencia de relaciones significativas entre las emociones y el sonido; luego de la revisión de estas correspondencias resulta posible concluir que la correspondencia entre sonidos y formas es aquella que resulta más prometedora para el desarrollo de nuevos métodos que permitan la morfogénesis de productos con un alto valor emocional y afectivo debido a su implicación directa con las emociones. Para dar inicio a un futuro proceso de investigación experimental en este ámbito, el proceso preliminar concluye con el planteamiento de una hipótesis y preguntas de investigación que definan las principales interrogantes a resolver.

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Accessible Experiences. Designing Synaesthetic Access to Culture

Riccò

2023

Springer Series in Design and Innovation

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The experiences produced using environments, physical or cultural objects, change significantly in relation to the characteristics of the users, their skills and limits, as well as change in relation to the aesthetic preferences and the context of use, chosen according to the effectiveness and/or enjoyment of use.This text intends to address the issue of accessibility to a cultural asset in a museum context [12, 13], to highlight how designing a variety of experiential ways, of experiences based on different sensory registers, leads to broadening its accessibility also to users who, by necessity or by choice, they require specific conditions of use.The paper highlights and exemplifies – taking conventional cases and experiments conducted in the teaching of communication design – synaesthetic translations from the visual/figural to the auditory/verbal, and from the visual to the tactile applied to communicative artifacts, highlighting how the concept of translation – between sensory registers, between devices, between graphic formats – is the foundation of every experience that intends to be accessible.

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The Ways of Synesthetic Translation: Design models for media accessibility

Abstract: Card Games Creation as a Learning Method .

Cited by 4 publications

References 5 publications

How a Technology Identity Can Enhance the Diffusion of Good Design Practices in Product Sound Design

How a Technology Identity Can Enhance the Diffusion of Good Design Practices in Product Sound Design

Análisis preliminar para la morfogénesis de objetos con alto significado afectivo a partir de las emociones

Accessible Experiences. Designing Synaesthetic Access to Culture

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