Abstract:Colm Tóibín's novella The Testament of Mary (2013) offers a provocative re‐imagining of the Virgin Mary's life 20 years after the crucifixion of her son Jesus. Drawing on Richard Kearney's notion of anatheism or a ‘return to God after God’, I use the fictive space opened up in Tóibín's version of the Gospel as a spur to understanding the way in which faith may be conceived of as wager within both fiction and psychoanalysis. Discussing how the reception of the artistic message requires the same spirit of hospit… Show more
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