The Voice of an Indian Trans Woman: a Hijra Autobiography

Abstract

The aim of this paper is to raise awareness of the humanity of hijras through their autobiographies. The Truth about Me: A Hijra Life Story (2015) by A. Revathi will shed light on transsexuality in India. The hijra literature in English is gaining space, albeit small, in the literary milieu with its main character, a trans woman, who narrates her story challenging the heteronormative world. Not bending to gender norms, Revathi sought her place in the world, becoming not only a hijra, but also a political agent in her community. Her writing/telling reveals the bruises and wounds of a body violated by a deeply hierarchical society and her activism evidences that trans people are not passive recipients of forces acting upon their lives. They deploy agency in a variety of ways showing how their lives are located at the intersection of caste, class and patriarchies. These structures along with heteronormativity not only oppress them but also make them invisible under the heterosexual, family and reproductive model. In order to understand the hijras communities, it is important to analyze this through the intersectionality of social markers-gender, sexuality, class, caste, generation, region, religion, kinship and etc-interacting them at multiple and often simultaneous levels (Reddy 2005). Moreover, one must think of the terms izzat (honour) and asli (authenticity) that permeate Indian culture.

Gender and Sexual Identity in Arundhati Roy’s The Ministry of Utmost Happiness: A Cixousian Analysis of Hijra’s Resistance and Remaking of the Self

“…However, the extent of their literary appearances is mostly exclusive to works within the circle of the intended genre. Ramos (2018) states that hijra literature, which delves into the narratives of hijra's experience, is a recent and evolving literary genre in India that focuses on breaking the stereotypical perception of the group. In terms of literary representation, Newport (2018) notes that the traditional works that feature hijra characters have often contextualized their lewd and aggressive representations against economic poverty and hardship.…”