The vision for MUSE4Music

Barzen, Johanna; Breitenbücher, Uwe; Eusterbrock, Linus; Falkenthal, Michael; Hentschel, Frank; Leymann, Frank

doi:10.1007/s00450-016-0336-1

Cited by 6 publications

(2 citation statements)

References 3 publications

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“…the ontology of features describing 19th-century orchestral music sketched by Eusterbrock et al, 2017), especially as long as a computational analysis of all of these features is impossible (cf. Barzen et al, 2017). A typology of factures, of course, concentrates on shared features of many tokens displaying similar factures.…”

Section: Methodsmentioning

confidence: 99%

The Perception of Musical Expression in the Nineteenth Century: The Case of theGlorifying Hymnic*

Hentschel

Kreutz

2021

Music & Science

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Music conveys expressive meaning, and it elicits affective and associative responses in listeners. Historical documents from the 19th century contain reflections about the perceived expression of and affective responses to music in a wide range of works, including symphonies and operas. Therefore, we asked what verbal descriptors found in contemporary writings from the 19th century provide information about the perceived expressive qualities. Additionally, we examined whether the sources hint at situational / contextual factors. To this end, we investigated the descriptors used to describe the perception of a specific type of music, defined through a set of 16 features. We called this type of music “Glorifying Hymnic.” We searched a large amount of 19th-century symphonic music to identify as many excerpts displaying these features. Then, we investigated the description of the listening experience of the excerpts mainly using the RIPM (Retrospective Index to Music Periodicals) database. We found 47 compositions with 48 excerpts that matched our rather strict criteria and 102 textual sources that provided sufficiently concrete information regarding how several of the excerpts have been perceived. We found a very high degree of consistency in the description of the music: It has been described as glorious, powerful, triumphant and victorious, grand, joyous and happy, solemn, exciting, noble, tranquil and sometimes proud. It also elicited associations with singing, especially choral singing, and with religion. Only very few connections between music perception and situational factors were detected relating to religious associations and associations of the music with choral singing. They might refer to special circumstances in France and Germany respectively. We discuss our findings in the context of both historical perspectives and musicpsychological models.

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Section: Methodsmentioning

confidence: 99%

The Perception of Musical Expression in the Nineteenth Century: The Case of theGlorifying Hymnic*

Hentschel

Kreutz

2021

Music & Science

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“…The method consists of five main steps: (1) defining the domain by an ontology, (2) identifying -based on strict criteria -the films having most impact within the domain, (3) capturing all detailed information about costumes in films in the MUSE repository, (4) analyzing this information to determine costumes that achieve a similar effect in communicating with the recipient, and (5) abstracting these similarities to costume patterns [4,7]. This method has been proven to be generic by applying it in our parallel project MUSE4Music [6].…”

Section: Musementioning

confidence: 99%

Relevance of Near-Term Quantum Computing in the Cloud: A Humanities Perspective

Barzen

Leymann

Falkenthal³

et al. 2021

Communications in Computer and Information Science

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As quantum computers are becoming real, they have the inherent potential to significantly impact many application domains. In this paper we outline the fundamentals about programming quantum computers and show that quantum programs are typically hybrid consisting of a mixture of classical parts and quantum parts. With the advent of quantum computers in the cloud, the cloud is a fine environment for performing quantum programs. The tool chain available for creating and running such programs is sketched. As an exemplary problem we discuss efforts to implement quantum programs that are hardware independent. A use case from quantum humanities is discussed, hinting which applications in this domain can already be used in the field of (quantum) machine learning. Finally, a collaborative platform for solving problems with quantum computers-that is currently under construction-is presented.

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Pattern Views: Concept and Tooling for Interconnected Pattern Languages

Weigold

Barzen

Breitenbücher

et al. 2020

Service-Oriented Computing

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Patterns describe proven solutions for recurring problems. Typically, patterns in a particular domain are interrelated and organized in pattern languages. As real-world problems often require patterns of multiple domains, different pattern languages have to be considered to address these problems. However, cross-domain knowledge about how patterns of different languages relate to each other is either hidden in individual pattern descriptions or not documented at all. This makes it difficult to identify relevant patterns across pattern languages. Therefore, we introduce a concept and tooling that enables to capture patterns and their relations across pattern languages for a particular problem context.

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The vision for MUSE4Music

Cited by 6 publications

References 3 publications

The Perception of Musical Expression in the Nineteenth Century: The Case of theGlorifying Hymnic*

The Perception of Musical Expression in the Nineteenth Century: The Case of theGlorifying Hymnic*

Relevance of Near-Term Quantum Computing in the Cloud: A Humanities Perspective

Pattern Views: Concept and Tooling for Interconnected Pattern Languages

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