2021
DOI: 10.24152/ncle.2021.3.25.1.125
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The Utopian Possibilities of the Plague in Mary Shelley’s The Last Man

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“…In accordance with what the investigative findings of previous and present studies related to this science fiction titled The Last Man (1862), it has been seen that literary scholars have paid an adequate analytical attention to the themes carried in the aesthetic and artistic thematization of this science fiction. On the one hand, it can be felt in a clear fashion that Ja Yun Choi (2021) has dug out the optimistic theme from the pessimism that has been permeated into the critical practices and critical processes of a variety of literary critics in their interpretation of The Last Man (1826) produced by Mary Shelley with the help of "the utopian essence (p125)" woven in the thematic elaboration of this science fiction. On the other hand, what seems to be opposed to what Ja Yun Choi has been aware of the optimistic theme kept in the mind of Mary Shelly in her practical production of The Last Man (1826), is, that Konstantinos Kos Pozoukidis (2021) has argued that notwithstanding the great emphasis this writer has placed on productive labor in hope that humanity can be regenerated (p. 393), non-productive labor has prevented them from the intentional exemption of pandemic disaster.…”
Section: The Perceptive Insufficiency For the Essential Transcendence...mentioning
confidence: 99%
“…In accordance with what the investigative findings of previous and present studies related to this science fiction titled The Last Man (1862), it has been seen that literary scholars have paid an adequate analytical attention to the themes carried in the aesthetic and artistic thematization of this science fiction. On the one hand, it can be felt in a clear fashion that Ja Yun Choi (2021) has dug out the optimistic theme from the pessimism that has been permeated into the critical practices and critical processes of a variety of literary critics in their interpretation of The Last Man (1826) produced by Mary Shelley with the help of "the utopian essence (p125)" woven in the thematic elaboration of this science fiction. On the other hand, what seems to be opposed to what Ja Yun Choi has been aware of the optimistic theme kept in the mind of Mary Shelly in her practical production of The Last Man (1826), is, that Konstantinos Kos Pozoukidis (2021) has argued that notwithstanding the great emphasis this writer has placed on productive labor in hope that humanity can be regenerated (p. 393), non-productive labor has prevented them from the intentional exemption of pandemic disaster.…”
Section: The Perceptive Insufficiency For the Essential Transcendence...mentioning
confidence: 99%