The uses of personal networked digital imaging

House, Nancy Van; Davis, Marc; Ames, Morgan G.; Finn, Megan; Viswanathan, Vijay

doi:10.1145/1056808.1057039

Cited by 168 publications

(24 citation statements)

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“…Los bancos de memoria han pasado a ser escasamente ordenados y rememorados, y esta función convive con otras, también vistas por diferentes autores en el contexto digital. Las funciones de carácter instrumental, autoexpresión y autorrepresentación, mantenimiento de relaciones sociales y narración de la vida privada que señalan Van House, Davis, et al (2005) en jóvenes, también se dan entre los inmigrantes digitales. Por otra parte, del mismo modo que Scifo (2009) concluyó para el caso de los jóvenes, los resultados permiten destacar el protagonismo de la función comunicativa de las fotografías, que en muchas ocasiones son directamente tomadas para ser compartidas en línea.…”

Section: Discussionunclassified

“…Un ámbito que ha recibido especial atención es el relativo a los usos y funciones que cumplen las fotografías a partir de su utilización en redes sociales (Araújo, Corrêa, et al, 2014) y a su producción cotidiana desde cámaras integradas en móviles (Fraga y Forti, 2017). Entre los primeros estudios destaca el de Van House, Davis, et al (2005), quienes distinguen las siguientes funciones de la fotografía digital: crear y mantener relaciones sociales, construir memoria personal y narraciones de la vida privada, autorrepresentación y autoexpresión. Estos autores también mencionan un uso de carácter instrumental, sustituto de actividades como escribir, copiar o escanear.…”

Section: La Fotografía Digital En Las Ciencias Socialesunclassified

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Del carrete a la pantalla: una aproximación a los usos y funciones sociales de la fotografía en los inmigrantes digitales

Cerdán-Torregrosa

Ruiz

2021

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El medio fotográfico se ha visto alterado por el proceso de digitalización, y, especialmente, por la popularización de smartphones dotados de cámaras de alta calidad y el desarrollo en la Web 2.0 de plataformas de social media. Las prácticas y significaciones que envuelven la fotografía digital parecen diferir de las propias de la cultura analógica. En este artículo, desde un enfoque exploratorio, se busca examinar las configuraciones que emergen alrededor de la fotografía digital, con especial atención a sus usos y funciones sociales, en comparación con la época de predominio analógico. En este sentido, se ha tomado como población objeto de estudio al colectivo de personas no profesionales de la fotografía, con edades comprendidas entre los 35 y 50 años, considerados inmigrantes digitales. Siguiendo la metodología cualitativa, se han realizado entrevistas semiestructuradas con fotoelicitación para una aproximación a los espacios de reflexión clave en relación con el fenómeno de estudio. Entre los resultados, destacan los cambios experimentados en la producción, almacenamiento, distribución e incluso remembranza de fotografías. La cámara, ahora anexa al smartphone, ha propiciado que la fotografía se convierta en un elemento más de la cotidianidad al estar presente en todos los espacios y, en efecto, aparecen nuevas formas de usarla. El propio acto de fotografiar está cada vez más vinculado al uso de plataformas de social media, donde la fotografía online y pasajera se antepone a la fotografía de papel como sinónimo de recuerdo. Lo comunicativo se antepone a lo conmemorativo.

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Section: Discussionunclassified

Section: La Fotografía Digital En Las Ciencias Socialesunclassified

Del carrete a la pantalla: una aproximación a los usos y funciones sociales de la fotografía en los inmigrantes digitales

Cerdán-Torregrosa

Ruiz

2021

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“…There are previous studies that confirm that the inclusion of cameras on mobile phones have increased the number of pictures that users take (Van House, et al, 2005). The ubiquitous camera (Kindberg, et al, 2005) opened the utilization of the camera to a variety of new usages that were not possible with a camera before.…”

Section: Users Have Too Many Picturesmentioning

confidence: 96%

Nuevos hábitos en la gestión fotográfica en smartphones

Pérez

Buratti

2017

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This article study the habits in the use and manage of smartphone images. Being smartphones the most universal product, and their camera a key element, this research is bases on the hypothesis that current photo habits exceed mobile photo manage tools. A survey to smartphone users sought a general view of current situation about their photographic habits in the taking, manage and store of photos inside their phones. The survey also has questions about the long term expectations. Results show lack of adequacy of current systems to smartphone pictures and open a discussion about how to adapt current photo manage systems to a long term vision.

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“…Later, with the boom of online photo sharing services [Frohlich et al, 2002;Miller and Edwards, 2007], researchers started to look at the actual experiences surrounding sharing practices. Self-representation, self-expression and emotional aspects (see Table 2.2) became important factors to motivate digital personal photo sharing [Goh et al, 2009;Van House et al, 2005] and music sharing [Brown et al, 2001]. Sharing started to be considered not only as an asynchronous distributed activity (e.g., file sharing to support work-related tasks) where media objects do not have any inherent meaning, but rather as sense-making that supports communication and group interaction [Salovaara et al, 2006].…”

Section: Sharing Multimedia Contentmentioning

confidence: 99%

“…We found that prior research in HCI has paid a lot of attention to digital sharing as an act of communication, while only few works explored this logic in the context of physical sharing practices (e.g., sharing printed photos [Frohlich et al, 2002;Miller and Edwards, 2007;Nunes et al, 2008]). Researchers explained that participation in online sharing stems from people's desires to create and maintain social ties [Goh et al, 2009;Lange, 2007], needs for self-expression (e.g., [Goh et al, 2009;Van House et al, 2005]), and generally from the hedonic qualities of sharing experiences online (e.g., [Acquisti and Gross, 2006;Bayer et al, 2016]). However, these social phenomena were less accentuated in prior research into physical sharing.…”

Section: Attend To Communicative Aspects Of Physical Sharingmentioning

confidence: 99%

Supporting the Design of Technology-Mediated Sharing Practices

Fedosov¹

2020

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Online social networks have made sharing personal experiences with others mostly in form of photos and comments a common activity. The convergenceof social, mobile, cloud and wearable computing expanded the scope of usergeneratedand shared content on the net from personal media to individual preferencesto physiological details (e.g., in the form of daily workouts) to informationabout real-world possessions (e.g., apartments, cars). Once everydaythings become increasingly networked (i.e., the Internet of Things), future onlineservices and connected devices will only expand the set of things to share. Given that a new generation of sharing services is about to emerge, it is of crucialimportance to provide service designers with the right insights to adequatelysupport novel sharing practices. This work explores these practices within twoemergent sharing domains: (1) personal activity tracking and (2) sharing economyservices. The goal of this dissertation is to understand current practices ofsharing personal digital and physical possessions, and to uncover correspondingend-user needs and concerns across novel sharing practices, in order to map thedesign space to support emergent and future sharing needs. We address this goalby adopting two research strategies, one using a bottom-up approach, the otherfollowing a top-down approach.In the bottom-up approach, we examine in-depth novel sharing practices within two emergent sharing domains through a set of empirical qualitative studies.We offer a rich and descriptive account of peoples sharing routines and characterizethe specific role of interactive technologies that support or inhibit sharingin those domains. We then design, develop, and deploy several technology prototypesthat afford digital and physical sharing with the view to informing the design of future sharing services and tools within two domains, personal activitytracking and sharing economy services.In the top-down approach, drawing on scholarship in human-computer interaction (HCI) and interaction design, we systematically examine prior workon current technology-mediated sharing practices and identify a set of commonalitiesand differences among sharing digital and physical artifacts. Based uponthese findings, we further argue that many challenges and issues that are presentin digital online sharing are also highly relevant for the physical sharing in thecontext of the sharing economy, especially when the shared physical objects havedigital representations and are mediated by an online platform. To account forthese particularities, we develop and field-test an action-driven toolkit for designpractitioners to both support the creation of future sharing economy platformsand services, as well as to improve the user experience of existing services.This dissertation should be of particular interest to HCI and interaction designresearchers who are critically exploring technology-mediated sharing practicesthrough fieldwork studies, as well to design practitioners who are building and evaluating sharing economy services.

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The uses of personal networked digital imaging

Cited by 168 publications

References 5 publications

Del carrete a la pantalla: una aproximación a los usos y funciones sociales de la fotografía en los inmigrantes digitales

Del carrete a la pantalla: una aproximación a los usos y funciones sociales de la fotografía en los inmigrantes digitales

Nuevos hábitos en la gestión fotográfica en smartphones

Supporting the Design of Technology-Mediated Sharing Practices

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