“…Rhotics are distinguished acoustically from other sonorants by the low height of the third formant (F3), which closely approximates the second formant (F2). Both case studies (Shuster, Ruscello, & Smith, 1992;Shuster, Ruscello, & Toth, 1995) and single-subject experimental studies (McAllister Byun, 2017;McAllister Byun & Campbell, 2016;McAllister Byun, Halpin, & Szeredi, 2015;McAllister Byun & Hitchcock, 2012) have reported that visual-acoustic biofeedback featuring a lowered F3 target can improve rhotic production in speakers who have not responded to other forms of intervention. One caution that has been raised in previous studies of various types of biofeedback (e.g., Gibbon & Paterson, 2006;McAllister Byun & Hitchcock, 2012;Preston et al, 2014) is that gains made in the treatment setting do not automatically generalize to contexts in which enhanced feedback is not available.…”