The Use of Digital Media Art Using UI and Visual Sensing Image Technology

Abstract

Visual sensing image technology has narrowed the distance between people and art with the rapid development of digital media, but new art forms continue to appear. Therefore, this exploration is aimed at studying the application of visual image technology based on user interface (UI) and virtual reality (VR) technology in art. This exploration is to explore the development path of digital media art. The concept of UI is briefly discussed. Based on the current means of visual sensing technology, UI, visual sensing image technology, and digital media art are successfully combined after the close relationship between digital media and art is realized. The results show that VR technology, which combines UI and visual sensing technology, has good compatibility with digital media art and can further shorten the distance between digital media art and the public. Moreover, the promotion of this application can greatly increase users’ experience of VR. In addition, most people hold a more positive attitude towards this combination. It reveals that it is essential to apply UI and visual sensing image technology to digital media art.

Untitled

“…Finally, the concept of self-historicisation, merging with the contemporary artistic language of performance, supports the artists' recognition in the international art context; a long period of communism shaping the culture of participation in art plays a vital role here (Proksch-Weilguni, 2019). The use of visual image technology in art also permits the growth of digital media art (Mao & Jiang, 2021) and, accordingly, a never-ending cycle of mutual inspirations. The form of the receiving process of visual arts profoundly affects the shape of the receiving process: a painting is determined by its content and form (e.g.…”

“…Participation in arts involves senses (Ekmekçi et al, 2014;Sosnowska, 2015) andbecause of cultural differencessocieties use their senses differently (Doğan et al, 2019). However, despite arts' digitalisation being regulated by the technical possibilities to transmit the analogue senses' experience into virtual dimensions (Mao & Jiang, 2021), digital participation in arts plays the role of 'digital mediation', which locates the role of digital technology in a proper place, i.e., in 'between' the artwork and the receiver (Jarrier & Bourgeon-Renault, 2019). Furthermore, senses allow for physical, emotional (Buravenkova et al, 2018), intellectual, andspiritual (Rivas-Carmona, 2020;J.…”

Innovation of Visual Communication Design of Interactive Packaging for Internet-Famous Food Based on Artificial Intelligence

“…e more basic function of food packaging is not only to store food commodities but also to display the basic information of food, including the name, production date, shelf life, origin, specification, and other basic information of the food. e digital media art plays a key role here, and Figure 1 shows several examples of the Internet-famous food packaging design enabled by digital media technology [17][18][19][20]. Many contemporary food packages are printed with two-dimensional codes and the application of the two-dimensional code technology is to make full use of the information content storage and expansion functions of digital media art.…”

Gender differences regarding participation form in the arts receiving process. Consequences for aesthetic situation management

“…Participation in the arts involves the senses (Ekmekçi, Tereman & Acar, 2014;Sosnowska, 2015); that is why evolution equipped women and men with senses in different proportions (Doğan et al, 2019). However, despite arts' digitalization being regulated by the technical possibilities for transmitting the analogue senses' experience into virtual dimensions (Mao & Jiang, 2021), it is justified that digital participation in the arts plays the role of "digital mediation." This concept locates the role of digital technology in its proper place, i.e., "in between" the artwork and the receiver (Jarrier & Bourgeon-Renault, 2019).…”