The Ukrainian Dimension of Mass Culture: Philosophy and Culture Studies Analysis

Rusakov, Serhii

doi:10.31648/sw.44

Cited by 2 publications

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“…Significantly enough, there is at least one example of TV format that was imported by foreign producers from an East-European country: the rights for the Ukrainian series Sniffer/ Nyukhach, telling the story of a freelance investigator that solves crime mysteries based on his unflinching confidence in his overdeveloped sense of smell, have been sold to 11 other countries, among which France, Japan, Bulgaria, Estonia. 69 The Polish-Czech-Ukrainian coproduction The Pleasure Principle (2019) takes localization to the next level and offers an original dramatization of transnational police cooperation alternative to the state of the art coverage of the topic by the famous Danish-Swedish The Bridge (2011-2018). The aspiration of Polish producers of opening up to the world is obvious also in their adaptations of American crime authors.…”

Section: Prospective Noirmentioning

confidence: 99%

Exploring/Inventing East-European Noir. An Attempt to Modelling Historical Transformation

Dobrescu¹

2022

cechi

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The essay proposes a common spectrum of noir detective fictions emerging in the countries of the former Soviet Bloc. Accordingly, it substantiates the assumption that similar political, social, cultural, economic threats and opportunities contributed to the preservation of a certain air de famille among the genre productions of the countries of the area even after the fall of Communism. The common Communist heritage of genre fiction, cinema, and television is synthesised in three main categories: Cold War “noir” and Socialist “grey”, alternative noir, and popular noir. The crime & detection dimensions of the EU phase of the evolution of East-European countries are equally organised in three clusters, called retrospective noir, introspective noir, and prospective noir.

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Section: Prospective Noirmentioning

confidence: 99%

Exploring/Inventing East-European Noir. An Attempt to Modelling Historical Transformation

Dobrescu¹

2022

cechi

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Pozdrowienia od ideologii. Konstrukcja nowej ukraińskiej tożsamości na przykładzie serialu „Ostatni Moskal”

Boichenko

2020

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Greetings from Ideology: The Construction of a New Ukrainian Identity on the Example of The Last Muscovite TV seriesFollowing the Revolution of Dignity, Ukrainian identity found itself in a crisis – between the abandoned Sovietness and the new Ukrainianess. This paper looks at the worldview apparent in the mass media and the attendant solutions to overcome the identity crisis as presented to Ukrainians today. On the example of the TV series entitled The Last Muscovite (Ostanniĭ Moskal′), the study seeks to explain how the ideological discourse defines individuals representing particular identities (conservative: characteristic of Western and increasingly also Central Ukraine, modernist: typical of Eastern Ukraine, and liberal: most often represented by the central part of the country) and what strategies it offers in terms of mutual perception and relations between these identities Pozdrowienia od ideologii. Konstrukcja nowej ukraińskiej tożsamości na przykładzie serialu Ostatni MoskalPo Rewolucji Godności ukraińska tożsamość znalazła się w sytuacji kryzysowej – w położeniu przejściowym między porzuconą już „sowieckością” a nową „ukraińskością”. W niniejszym artykule przedstawiam obraz świata, jaki wyłania się z tekstów medialnych, oraz proponowane przez nie sposoby wyjścia z kryzysu tożsamościowego. Na przykładzie serialu Ostatni Moskal dokonuję próby wyjaśnienia, jak w dyskursie tym definiuje się osoby reprezentujące poszczególne tożsamości (konserwatywną – specyficzną dla zachodniej Ukrainy, a także częściowo centralnej, modernistyczną – dla wschodniej Ukrainy oraz liberalną – dla centralnej części kraju) i jakie proponuje się strategie w zakresie wzajemnego postrzegania i budowania relacji między tożsamościami.

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The Ukrainian Dimension of Mass Culture: Philosophy and Culture Studies Analysis

Cited by 2 publications

References 0 publications

Exploring/Inventing East-European Noir. An Attempt to Modelling Historical Transformation

Exploring/Inventing East-European Noir. An Attempt to Modelling Historical Transformation

Pozdrowienia od ideologii. Konstrukcja nowej ukraińskiej tożsamości na przykładzie serialu „Ostatni Moskal”

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