2013
DOI: 10.1080/08893675.2013.823314
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The transition to nonparenthood: A critical feminist autoethnographic approach to understanding the abortion experience

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Cited by 5 publications
(3 citation statements)
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References 29 publications
(37 reference statements)
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“…In the first interview, it was clear that, as with other instances described in the literature ( 89 ), our participants found the discovery of their pregnancy to be traumatic, and they portrayed it as an event that made everything uncertain. All reasons for electing to have an abortion involved the restoration of equilibrium, which, in nearly all cases, had been compromised before their respective pregnancies on both the socioeconomic and emotional/family levels.…”
Section: Discussionsupporting
confidence: 51%
“…In the first interview, it was clear that, as with other instances described in the literature ( 89 ), our participants found the discovery of their pregnancy to be traumatic, and they portrayed it as an event that made everything uncertain. All reasons for electing to have an abortion involved the restoration of equilibrium, which, in nearly all cases, had been compromised before their respective pregnancies on both the socioeconomic and emotional/family levels.…”
Section: Discussionsupporting
confidence: 51%
“…I realize it may not seem as a very logical choice, and I can't explain why switching the language made me feel safer, but it did. Like Tamara Coon (2013), I was afraid of how my colleagues would perceive my decision and how it would influence my future job opportunities. Although the feminist struggle in Mexico has come a long way, the stigma of abortion weighs heavy, and with the rise of conservative groups, it's still a very controversial subject in society.…”
Section: Autoethnography and The Possibilities Of Choicementioning
confidence: 99%
“…Scholars have engaged with autoethnographic inquiry to illuminate “the liminal space between life and being alive” within reproductive experiences (Mingé & Silverman, 2016), interrogate the neoliberal discourse of the “war on women” (Arellano, 2013), offer insight into institutions which frame abortion experiences (Coon Sells, 2013), and highlight the complexity of abortion storytelling within historical and cultural silences (Boon, 2017). Attending to the epistemic and aesthetic axes of autoethnographic inquiry, performative autoethnography offers critical/creative potentials for writing within the discursive in-between of dichotomized “Life” versus “Choice” discourses.…”
mentioning
confidence: 99%