The Transformation of Southern Politics, 1954 to the Present

Flynt, Wayne

doi:10.1002/9780470996300.ch29

Cited by 2 publications

(2 citation statements)

References 1 publication

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“…Northern Democrats’ embrace of civil rights fractured this coalition. Republicans seized this opportunity to capture the white South ( Flynt, 2002 ). This is clearly visible in Figure 5 .…”

Section: Resultsmentioning

confidence: 99%

The Development of the Urban-Rural Cleavage in Anglo-American Democracies

Taylor

Lucas

Armstrong

et al. 2023

Comparative Political Studies

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We provide a mixed-methods, comparative analysis of the development of the urban-rural electoral cleavage in Canada, Great Britain, and the United States from the early 20th century to the present. Using aggregate election results, electoral district boundary files, and electoral district population measures, we construct a new comparable dataset of district election results and urbanity for the lower house of the legislature in each country. We use this dataset to measure the importance of the urban-rural divide for election outcomes across countries and time. We find that the cleavage has widened over time in each country, each arrived at its current urban-rural divide via a distinct developmental trajectory, which we interpret with reference to secondary literature. We conclude by discussing the significance of our findings for theories of both the causes and consequences of urban-rural divides and discuss the implications of our work for the comparative study of urban-rural cleavages.

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Section: Resultsmentioning

confidence: 99%

The Development of the Urban-Rural Cleavage in Anglo-American Democracies

Taylor

Lucas

Armstrong

et al. 2023

Comparative Political Studies

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“…The instruction-based conceptual art of Henry Flynt and other first generation Fluxus artists functions on almost an exclusively reflective level. As Flynt puts it, ideas are the arranged material in conceptual art, as sound is the arranged material in music [14].…”

Section: Problematizing and Reconsidering Local Description In An Ecomentioning

confidence: 99%

2007: Expression and Its Discontents: Toward an Ecology of Musical Creation

Gurevich¹,

Treviño²

2017

A NIME Reader

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We describe the prevailing model of musical expression, which assumes a binary formulation of "the text" and "the act," along with its implied roles of composer and performer. We argue that this model not only excludes some contemporary aesthetic values but also limits the communicative ability of new music interfaces. As an alternative, an ecology of musical creation accounts for both a diversity of aesthetic goals and the complex interrelation of human and non-human agents. An ecological perspective on several approaches to musical creation with interactive technologies reveals an expanded, more inclusive view of artistic interaction that facilitates novel, compelling ways to use technology for music. This paper is fundamentally a call to consider the role of aesthetic values in the analysis of artistic processes and technologies.

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The Transformation of Southern Politics, 1954 to the Present

Cited by 2 publications

References 1 publication

The Development of the Urban-Rural Cleavage in Anglo-American Democracies

The Development of the Urban-Rural Cleavage in Anglo-American Democracies

2007: Expression and Its Discontents: Toward an Ecology of Musical Creation

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