The Tramezzo in Santa Croce, Florence, Reconstructed

Hall, Marcia B.

doi:10.2307/3049260

Cited by 3 publications

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“…See also Cooper, 2013, 706–07. On S. Croce's tramezzo , see Hall, 1970, 1974, and 1979; Giurescu, 201–13. For recent studies of rood screens in general, see J. Jung, 2013; Hall, 2015.…”

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confidence: 99%

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Embodying Devotion: Multisensory Encounters with Donatello'sCrucifixin S. Croce

Johnson

2020

Renaiss. Q.

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The reception of art is often described in ocularcentric terms, but all five senses could engage devotional objects in late medieval and early modern Europe. This article explores this phenomenon by considering a wooden crucifix with movable arms made by Donatello for the Franciscan church of S. Croce in Florence in the early fifteenth century. It makes new suggestions about the work's original location, its possible patrons, and its functions and reception, especially during the rituals associated with Good Friday. It also reflects on the challenges scholars face when taking a multisensory approach to premodern visual and material culture.

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“…See also Cooper, 2013, 706–07. On S. Croce's tramezzo , see Hall, 1970, 1974, and 1979; Giurescu, 201–13. For recent studies of rood screens in general, see J. Jung, 2013; Hall, 2015.…”

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confidence: 99%

“… 94 The height of the cross today is 4.82 m, but 2.245 m of this is a later addition at the base: see Lalli et al, 27. The estimated height of the chapel is based on annotations in Hall, 1974, 333 (fig. 16).…”

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confidence: 99%

Embodying Devotion: Multisensory Encounters with Donatello'sCrucifixin S. Croce

Johnson

2020

Renaiss. Q.

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“…До демонтажа трамеццо в 1556 г. [22, p. 326 [22] ном пространстве, в многогранной апсиде. Такая конфигурация предполагала установку алтаря на границе сильно вынесенных на восток трансепта и наоса 21 , что уже дистанцировало хор и препятствовало участию верующих в богослужении.…”

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