2020
DOI: 10.5040/9781474204477
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The Toga and Roman Identity

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Cited by 6 publications
(3 citation statements)
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“…In addition, it is necessary to emphasize the gesture of these figures since many of them put their hands to their chests while holding the toga or stand erect to wear the toga properly. The very use of the toga entails entirely new gestures and modifications of bodily movements, associated with dignity, solemnity in the oratory of the institution and confinement, very different from those that could be performed in other garments, such as tunics, for those who had greater freedom of movement (Rothe 2020). The use of these scenes from Greco-Roman mythology and the toga were a symbol of status, of distinction.…”
Section: Discussionmentioning
confidence: 99%
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“…In addition, it is necessary to emphasize the gesture of these figures since many of them put their hands to their chests while holding the toga or stand erect to wear the toga properly. The very use of the toga entails entirely new gestures and modifications of bodily movements, associated with dignity, solemnity in the oratory of the institution and confinement, very different from those that could be performed in other garments, such as tunics, for those who had greater freedom of movement (Rothe 2020). The use of these scenes from Greco-Roman mythology and the toga were a symbol of status, of distinction.…”
Section: Discussionmentioning
confidence: 99%
“…On the other hand, the clothing of the figures, as indicated by Díez Platas, is a toga in both cases. This fact, added to Rothe's work and her reflection on the use of the toga in her latest book (Rothe 2020), lead us to think that, effectively, the seated figures are two men and not a married couple or two women.…”
Section: Stela Of the Equestriansmentioning
confidence: 99%
“…438d; Soph., OT 634–5: I am very grateful to Daniel Sutton for drawing my attention to this metaphor. On the relationship between the toga and Roman identity, see Rothe 2019.…”
mentioning
confidence: 99%