The things of the Internet of Musical Things: defining the difficulties to standardize the behavior of these devices

Vieira, Rosemary; Gonçalves, Luan Luiz; Schiavoni, Flávio Luiz

doi:10.1109/sbesc51047.2020.9277862

Cited by 11 publications

(6 citation statements)

References 12 publications

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“…Scientists also investigate the evolution of the intonation fund and the means of recording it and transmitting it to listeners, namely through audio applications, when a mobile portable device becomes a musical instrument, and the audience turns into a part of the soundscape (Gomes et al, 2019;Teixeira et al, 2019). The sphere of the modernized musical space its sociological and ecological nuances are being studied (Vieira et al, 2020a;2020b). However, showing the musical language of G. Ligeti as a single, voluminous, and complex system requires research, coverage, and implementation.…”

Section: Group Techniquementioning

confidence: 99%

G. Ligeti’s Hamburg Concerto as a Summary of Late Artistic Tendencies

Zharkova,

Zharkov,

Antonova

et al. 2023

Harmonia

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The relevance of this study is conditioned upon the need to highlight the internal content of the modern academic musical language and, specifically, the features of the late work of G. Ligeti. This paper aimed to conduct an in-depth study, comprehensively covering, analyzing, and generalizing the panoramic display of the creative traditions of G. Ligeti in the context of world musical art. The materials of this paper are sources that illuminate the path of stylistic search and the evolution of the musician’s composition, as well as information about the leading directions of the modern world academic musical environment. The research methods included a search and collection of information base dedicated to the Hamburg Concerto by G. Ligeti; analysis and compilation of available materials; determination of the leading categories of the phenomenon presented in the late period of the composer’s work; showing his stylistic and compositional principles as a single multifaceted system. The result of the study was the individual author’s concept of vision of the role, significance, and content of G. Ligeti’s work in the history of academic musical art. The practical significance of this study was manifested in the demand for the results of this study among students of secondary and higher musical educational institutions, as well as among specialists investigating the processes of transformation and expansion of the boundaries of the melodic, compositional, and technical arsenal of professional musical creativity.

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Section: Group Techniquementioning

confidence: 99%

G. Ligeti’s Hamburg Concerto as a Summary of Late Artistic Tendencies

Zharkova,

Zharkov,

Antonova

et al. 2023

Harmonia

View full text Add to dashboard Cite

show abstract

“…Due to the difculty of meeting these requirements in a real system, the environment presented here focuses on ofering the frst three features aforementioned. Of the desirable features for the devices, the following stand out: heterogeneity and transparency, exchanging control information, input and output information, and integration with legacy software/hardware [9].…”

Section: Environment Designmentioning

confidence: 99%

Sunflower: An Interactive Artistic Environment based on IoMusT Concepts

Vieira

Muchaluat-Saade

Schiavoni

2022

ACM International Conference on Interactive Media Experiences

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The Internet of Musical Things (IoMusT) is an interdisciplinary area that aims to improve the relationship between musicians and their peers, as well as between musicians and audience members, creating new forms of interaction in concerts, studio productions, and music learning. Although emerging, this feld already faces some challenges, such as lack of privacy and security, and mainly, lack of standardization and interoperability between its devices. Therefore, an environment design, called Sunfower, was proposed, which tries to contribute to solving the most recurrent problems in this area, specifying an architecture pattern, protocol, and sound features that aim to allow heterogeneity in these systems. Its practical implementation resulted in an interoperable, multimedia, and interactive environment. This paper, therefore, shows a demonstration of how Sunfower works in the accomplishment of an artistic presentation, also emphasizing its approach, the technologies that support it, and the advances it can bring to the area of IoMusT. CCS CONCEPTS• Networks → Network experimentation; • Applied computing → Media arts.

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“…A musical thing, for its part, can be delineated as an electronic device capable of acquiring, processing, performing, or exchanging data that serve a musical purpose [Turchet et al 2018]. The combination of these devices with musical services and applications creates an interoperable environment, responsible for interconnecting musicians, instruments, and audience members, which multiplies the possibilities of interaction in art shows and provides a relationship of interdependence between the participating elements [Vieira et al 2020].…”

Section: Introductionmentioning

confidence: 99%

Sunflower: a proposal for standardization on the Internet of Musical Things environments

Vieira¹,

Schiavoni²,

Muchaluat-Saade³

2022

Anais Estendidos Do XL Simpósio Brasileiro De Redes De Computadores E Sistemas Distribuídos (SBRC Estendido 2022)

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The Internet of Musical Things (IoMusT) is an interdisciplinary area of knowledge that aims to improve the relationship between musicians and their peers, as well as between musicians and audience members, favoring concerts, studio productions, and music learning. Although emerging, this field already faces some challenges, especially the lack of standardization and interoperability between its devices. Therefore, the paper presents the design of an IoMusT environment, called Sunflower, highlighting its architecture, protocols, and sound features that can contribute to solving this interoperability problem.

show abstract

The things of the Internet of Musical Things: defining the difficulties to standardize the behavior of these devices

Cited by 11 publications

References 12 publications

G. Ligeti’s Hamburg Concerto as a Summary of Late Artistic Tendencies

G. Ligeti’s Hamburg Concerto as a Summary of Late Artistic Tendencies

Sunflower: An Interactive Artistic Environment based on IoMusT Concepts

Sunflower: a proposal for standardization on the Internet of Musical Things environments

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