2007
DOI: 10.4324/9780203970102
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The Theory of Citrasutras in Indian Painting

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Cited by 4 publications
(3 citation statements)
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“…The Citrasūtras are the underlying principles and theoretical guides in Sanskrit scientific literature used to analyze paintings. When these theories are applied to the Janamsakhi illustration, it is found that the face (mukha) and palm (tala) are equal (Nardi, 2006). The body of the central figure is approximately seven times the size of the face (Figure 9).…”
Section: Compositionmentioning
confidence: 99%
See 1 more Smart Citation
“…The Citrasūtras are the underlying principles and theoretical guides in Sanskrit scientific literature used to analyze paintings. When these theories are applied to the Janamsakhi illustration, it is found that the face (mukha) and palm (tala) are equal (Nardi, 2006). The body of the central figure is approximately seven times the size of the face (Figure 9).…”
Section: Compositionmentioning
confidence: 99%
“…Looking further into the illustration in Figure 2, certain tangible design elements are prominent in the miniature painting. The lines, shading, decoration and color are the "ornaments" of the said painting (Nardi, 2006) and are highlighted in Figure 5. The illustrated scene occurs at dawn, revealed by the pale blue sky on a high horizon.…”
Section: Style: Color Shading and Design In The Janamsakhi Illustrationmentioning
confidence: 99%
“…chewed, seed oil is used as traditional treatment of skin and stomach problems and fruits of Dalbergia Sissoo are used as pesticides even (Adenusi and Odaibo, 2009). In the book of 'The Theory of Citrasutras in Indian Painting' has mentioned its use in the mixture of plaster materials (Nardi. 2007).…”
Section: Introductionmentioning
confidence: 99%