The Theological Background of the Theory of the Artist as Creator

Nahm, Milton C.

doi:10.2307/2707147

Cited by 22 publications

(2 citation statements)

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“…This article advocates spatial aesthetics, or city building as a form of public art, "as a legitimate area of governmental concern" in urban planning and renewal (Crane 1964, 84). Sporadic public art-related items predating this publication, which have not been taken into account in this bibliometric analysis, cover news sources announcing the establishment of public artworks and practical matters such as their costings (e.g., Bailey 1900); administrative or policy documents, including the U.S. New Deal Public Works of Art Project and related commentaries (e.g., Watson 1934); and brief communications advocating the purpose of public art beyond the sheer decoration of public buildings (e.g., Nahm 1947).…”

Section: Citation Counts and Multidisciplinary Attentionmentioning

confidence: 99%

The Landscape of Public Art Research: A Knowledge Map Analysis

Zebracki

Xiao

2021

The Professional Geographer

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This is the first article to date that employs a knowledge map analysis to provide insights into the landscape of public art research, a multidisciplinary area that is concerned with issues around the geographies of art, space, and community. This study uses bibliometric analysis and knowledge visualization tools provided by CiteSpace mapping software to review scholarly journal output on "public art" since 1964-which is the first occurrence of this term in an article indexed in the Web of Science Core Collection database covering English-language journal publications. The analysis reveals the value of bibliometric analysis for engaging data on the growth and popularity of public art as a research landscape-which is perceived as both a research field and research discourse. Accordingly, this study constructs knowledge maps, and thereby trends, of popular topics and networks of authors and institutions that have emerged in the public art research landscape. Such knowledge maps exhibit a "metageography" of cross-disciplinary connections within public art research (where these knowledge maps in themselves can be rendered as artworks, too). This study, as such, provides new reference points for scholars to position themselves in, and further deepen bibliometric investigation into, the landscape of public art research.

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Section: Citation Counts and Multidisciplinary Attentionmentioning

confidence: 99%

The Landscape of Public Art Research: A Knowledge Map Analysis

Zebracki

Xiao

2021

The Professional Geographer

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“…4: "Social Position of the Artist"; Cast, 1977; Hauser 2, chap. 3: "Social Status of the Renaissance Artist"; Kantorowicz; Nahm;Panofsky, 1962;Wittkower;Zilsel, 1918 and1926. 25 I can, of course, only speculate as to whether Dolce had any (in)direct knowledge of Bronzino's painting; no matter, had he actually seen (or heard described) the fraudulent motif, I suspect he likely would have then viewed it through Horatian spectacles.…”

Section: Bronzino's "Fantastic" Hybrid As An Art Theoretical Toposmentioning

confidence: 99%

An Exemplary Humanist Hybrid: Vasari's “Fraude” with Reference to Bronzino's “Sphinx”

Moffitt

1996

Renaiss. Q.

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In an article recently published in this journal, I argued that a certain, often discussed, hybrid encountered in Bronzino's wellknown painting depicting The Exposure of Luxury (ca. 1545, National Gallery, London; also known as Venus, Cupid, Folly, and Time) was actually intended to represent a “sphinx” [fig. 1]. Whatever its proper designation, this is the bizarre figure that may be espied lurking in darkness (as much metaphorical as physical), just as she/it was placed in the middle ground of the far right side of Bronzino's carefully contrived composition [fig. 2]. This darkly crouching creature was situated by the ingenious painter behind the brightly illuminated figure of a nude and joyful putto tossing roses, so making it literally hidden (occulta).

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Applying a User-Centered Design (UCD) Approach to the Increasing Number of Anxiety Disorders in Students and Workers

Šebíková

2024

Lecture Notes in Computer Science

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The Theological Background of the Theory of the Artist as Creator

Cited by 22 publications

References 0 publications

The Landscape of Public Art Research: A Knowledge Map Analysis

The Landscape of Public Art Research: A Knowledge Map Analysis

An Exemplary Humanist Hybrid: Vasari's “Fraude” with Reference to Bronzino's “Sphinx”

Applying a User-Centered Design (UCD) Approach to the Increasing Number of Anxiety Disorders in Students and Workers

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