“…Of course, for the obvious reason that, as a man of words, his work easily crosses borders, but, in the first place, because he was interested in the meaning of life that theatre is here to help and open our eyes to. Kott, the critic-philosopher, wrote in a "startling, juicy, informal, jazzy" way, as another great critic, Erik Bentley, very accurately put it (Bentley 1984).…”