Abstract:writing of medieval representations of Jews and the monstrous, asserts that "it is often not its own misshapen or hybrid body that makes the monster, but its relation to other bodies, social or individual" (2003, 76). In Charles Maturin's 1820 novel, Melmoth the Wanderer, this monstrous relationship is a temporal one, deriving from the complicated and vexed relationship that Christianity posits with its Jewish origins. The uncannily long life of the novel's titular character derives from the legend of the Wand… Show more
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