“…The methodological and theoretical foundation of the research is based on the works of prominent leading scholars in musicology, theory and methods of music and pedagogical education, piano teaching methods, psychophysiology, neuropsychology, and biomechanics. The criteria for selecting the literature are conditioned by the necessity to cover the outlined problem comprehensively, based on the basic pedagogical principles of piano technique development (Martinsen, 1966;Gat, 1968;Tsypin, 1984;Sradzhev, 1987), and involving knowledge about the psychophysiological aspects of performing movements (Bernshtein, 1967;Mazel, 2001;Mark, 2003;Hall, 2004;Kokun, 2006;McLachlan, 2014McLachlan, , 2017, biomechanical regularities, which are crucial for the effectiveness of the training process, but are frequently ignored in solving technical problems in practice. To achieve this purpose, a set of theoretical and empirical methods was used.…”