“…McQuarrie & Mick (1999), Phillips & McQuarrie (2004), and Scott (1994a) have also approached advertising rhetoric in this way. Phillips & McQuarrie (2002:5) Barthes (1977) referred to as "verbal anchoring" has decreased over time and note that by avoiding anchoring, advertisers can state "the Unspeakable" (6). Pracejus et al (2006) have examined how the objects and symbols used in commercial art, or advertising, derive meaning from their histories, and discuss the rhetorical connotations of white space as a visual trope, positing that among the attributes that it is typically used to convey are elegance, power and modernity.…”