Abstract:This article deals with the bewildering question of the human fascination with evil: how is it possible that what is frightening, that what arouses dread and horror, is simultaneously fascinating, inviting of the spectatorial gaze, and the embodiment of terrifying enjoyment? The tremendum
and fascinas coincide and irreversibly overlap in Kant’s and Hegel’s respective philosophies of art, defined as an ability to produce sublime effects, effects that are – like the acts of monsters themselves – majestic, immea… Show more
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