Archives retain a sustained gravitational pull on feminist researchers. We experience them as sites of promise and desire, even as we recognise they are also sites of power and privilege that have long been implicated in acts of violence and erasure. We celebrate the growth in online social and cultural data and the new questions, methods and debates that this proliferation supports, at the same time as we ask what feminist archival research looks like in an era when the metaphor of the archive is invoked to cover almost any kind of memory, collection or accumulation. Importantly, we also acknowledge that our work as feminists is conditioned by the toolsepistemological and technicalavailable to us at any given point in time. For this reason, contributors here are keen to mark out what may be novel and what is enduring in the ways in which feminist thought and feminist practice frame archives. What follows are some initial provocations along these lines. If, as Susan Howe has observed, 'the nature of archival research is in flux' (2014, 9), it is critical to ask what this means for feminist researchers. Howe was pointing to the impact of digital technologies on the experience of being in the archive and there is no question that largescale digitisation projects have brought about monumental changes in our understanding of what an archive is and in the 'what' and 'how' of archival research. If archival research was previously synonymous with the 'need to see and touch objects and documents' (Howe 2014, 9), that experience is increasingly digitally mediated. Digital technologies have transformed archival access for researchers in ways that offer degrees of democratisation for what was once an elite practice available principally to the privileged few with time, money and credentials. Further, as Deborah Withers observes, 'the digital has enabled greater immediate access to feminism's already-there, as well as emergent proximities to archival materialities existing under the digital skin-screen' (2015, 27). Yet mass digitisation and the affordances of web 2.0 technologies are not without their challenges. The cost of developing and maintaining digital archival environments has seen major shifts in budget priorities within and across collecting institutions, frequently against a background of widespread and sustained budget cuts. How then might feminist researchers begin to talk about these new and emerging political economies of archiving and the various forms of labourold and newthat they demand? After all, as Stacie Williams has pointedly observed, 'there is a cultural expectation that archivists will work without complaint, for very little and if we are lacking resources, we will hire volunteers or unpaid interns to do the work' (2016). Can we, for example, acknowledge archiving as an historically highly feminised profession at the same time as pointing to the ways in which archival labourlike academic labour-'is often times unequal, rooted historically in sexism, racism, ableism, and classism' (Williams 2016)? Ho...