Abstract:This paper presents an efficient method for generating the class of all twelvetone rows which are transpositions of their own retrograde-inversions. It is shown here that the members of this class can be obtained from a subclass of those rows whose first six notes are ascending and whose first note is C. The number of twelve-tone rows in this subclass is 192, and a complete listing is given in an appendix to this paper. The theory as developed here can be applied to tone rows having any even number of notes.
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“…In a further paper (see [7]) the authors present an efficient method for generating all twelve-tone rows which are transpositions of their own retrograde-inversions. This is an alternative procedure to that outlined in the proof of Theorem 4.2.…”
Section: Results For Large Mmentioning
confidence: 99%
“…(Note also that for this example the sequence of 11 intervals between the 12 notes, namely (1,3,1,3,1,5,1,3,1,3,1), is symmetric. Similar relationships between intervals and notes are explored in detail in [7]. )…”
This paper organizes in a systematic manner the major features of a general theory of m-tone rows. A special case of this development is the twelve-tone row system of musical composition as introduced by Arnold Schoenberg and his Viennese school. The theory as outlined here applies to tone rows of arbitrary length, and can be applied to microtonal composition for electronic media.
“…In a further paper (see [7]) the authors present an efficient method for generating all twelve-tone rows which are transpositions of their own retrograde-inversions. This is an alternative procedure to that outlined in the proof of Theorem 4.2.…”
Section: Results For Large Mmentioning
confidence: 99%
“…(Note also that for this example the sequence of 11 intervals between the 12 notes, namely (1,3,1,3,1,5,1,3,1,3,1), is symmetric. Similar relationships between intervals and notes are explored in detail in [7]. )…”
This paper organizes in a systematic manner the major features of a general theory of m-tone rows. A special case of this development is the twelve-tone row system of musical composition as introduced by Arnold Schoenberg and his Viennese school. The theory as outlined here applies to tone rows of arbitrary length, and can be applied to microtonal composition for electronic media.
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