The structure and function of the song in the Tsonga folktale

This article highlights the problem that the print mode that the indigenous South African languages (IndiSAL) have largely adopted to preserve the folktale is inadequate. It raises shortfalls in support of the contention that not enough is being done to preserve the art of folktale narration and suggests a way out of the cul-de-sac. Most works on IndiSAL folktales focus on the value of preserving the art itself rather than the mode of preservation. The research follows a performance-centred approach as advocated by inter alia Marivate (1991), Bill (1996), Dorji (2010) and Backe (2014). Compared to countries such as Nigeria and Malawi, IndiSAL are lagging behind in digitization for the preservation of folktales. The article is an empirical study based on the author’s experiences and observation of folktale narration and the analysis of the transcribed form. The article critically reviews the various preservation modes and highlights their pros and cons.

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The structure and function of the song in the Tsonga folktale

Cited by 3 publications

References 3 publications

100 years of Tsonga publications, 1883–1983

100 years of Tsonga publications, 1883–1983

A preliminary bibliographical survey of research on poetry in Southern African vernaculars

Folktale Narration in the Indigenous South African Languages: An Artful Cul-De-Sac?

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