2011
DOI: 10.1353/apa.2011.0010
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The Strange Love of the Fish and the Goat: Regional Contexts and Rough Cilician Religion in Oppian's Halieutica 4.308-73

Abstract: This paper examines one of the better-known episodes in Oppian's Halieutica , an unusual account that describes first the strange desire of a fish, the σαργός, for the goat, and then the bizarre way in which that desire is manipulated by humans to capture the fish (4.308-73). Although it has been dismissed by most previous scholars as the product of ignorance, misunderstood source material or poetic imagination, I argue that this account can be elucidated by evidence for social, economic and religious contexts… Show more

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Cited by 15 publications
(3 citation statements)
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“…59 See previous note. 60 Lytle 2011. Houwink ten Cate 1961 has argued, on the basis of nomenclature, that the deity Runtas (supposed to be a later version of Kurunta, a Luwian tutelary deity) must have still been worshipped in the area, and that he should be identified with Hermes who assists Zeus in Oppian's version of the Typhon Myth (see now Lytle 2011, 370-9).…”
Section: Typhon and The Eastmentioning
confidence: 99%
“…59 See previous note. 60 Lytle 2011. Houwink ten Cate 1961 has argued, on the basis of nomenclature, that the deity Runtas (supposed to be a later version of Kurunta, a Luwian tutelary deity) must have still been worshipped in the area, and that he should be identified with Hermes who assists Zeus in Oppian's version of the Typhon Myth (see now Lytle 2011, 370-9).…”
Section: Typhon and The Eastmentioning
confidence: 99%
“…Incidemment, le livre d'emblèmes d'Alciat se trouve être d'un grand intérêt pour la philologie classique. En fait, grâce à Alciat, nous pouvons découvrir d'où Oppien a pu tirer l'étrange histoire du sargus -question qui n'a cessé d'intriguer les philologues depuis le XVIII e siècle(LYTLE, 2011). Aux éditions tardives de son livre d'emblèmes publiées après 1546, Alciat ajoute un deuxième emblème, « Aemulatio impar », qui mentionne brièvement le sargus, en l'espace de deux vers seulement : Un milan ignoble accompagne la harpê 4 qui vole haut, et attrape souvent un morceau de la proie qui tombe.…”
unclassified
“…The source is untrustworthy, but the continuation of the affective force, divine power and political importance of the mountain is clear. The latest accounts from antiquity are by the Cilician poet Appian (2nd century CE) who brings in important and highly localised myth-elements (Lytle 2011), and Nonnus, in the Dionysiaca (4th/5th century CE), in which the hero Cadmos plays music to trick Typhon (1. 410-515).…”
mentioning
confidence: 99%