The Status of William Carlos Williams in American Modernism

Abstract

William Carlos Williams was an American poet who renounced poetic diction in favor of the unpoetic, establishing himself in American Modernism as a powerful voice distinct from such canonical contemporaries as T.S. Eliot and Ezra Pound. His attitude towards literary production was different from many of his contemporaries in that he believed ‘the idea is in the thing’ and therefore the presence of objects rather than abstractions is strongly felt in his poems. A critical survey of Williams’ poems indicates that the poet/physician observes, describes and levels criticism at his society where modernism has transformed the American identity in significant ways. In this article, American icons and popular culture are retraced in the poetry of William Carlos Williams in an effort to explain the seeming opacity of his poems.

Flow to Unfold: The Fluidness in William Carlos Williamss Poetry

“…The second characteristic of William Carlos Williams' short poems is his creation of innovative structural strategies involving line or stanza arrangement. He uses broken stanzas to unfold the images, which allows the printed poems to develop and unfold their stories like the rolling of paper [5]. To transcend the prosaic, William Carlos Williams even attempts to reproduce the object on the page by pictorial means: a soda sign composed of four letters surrounded by asterisks in 'The Attic Which Is Desire'; He also creates metrical variety that can be linked with simple experiences to create dramatic emphasis and possible insight.…”