2016
DOI: 10.1016/j.tourman.2015.11.012
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The social construction of tourism online destination image: A comparative semiotic analysis of the visual representation of Seoul

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Cited by 201 publications
(145 citation statements)
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“…Yet, semiotic studies remain scarce in relation to social media-based visuals in tourism. A few studies examined the adoption of firm-and/or consumer-generated photographs for building and perpetuating a particular destination image (e.g., Hunter 2013Hunter , 2015Hunter , 2016Lian & Yu 2017;Pennington & Thomsen 2010;Thomsen & Vester 2016). For instance, Thomsen and Vester (2016) used Peirce's sign system to develop a visual semiotic-based authenticity typology including iconic, indexical and symbolic authenticity.…”
Section: Semioticsmentioning
confidence: 99%
See 1 more Smart Citation
“…Yet, semiotic studies remain scarce in relation to social media-based visuals in tourism. A few studies examined the adoption of firm-and/or consumer-generated photographs for building and perpetuating a particular destination image (e.g., Hunter 2013Hunter , 2015Hunter , 2016Lian & Yu 2017;Pennington & Thomsen 2010;Thomsen & Vester 2016). For instance, Thomsen and Vester (2016) used Peirce's sign system to develop a visual semiotic-based authenticity typology including iconic, indexical and symbolic authenticity.…”
Section: Semioticsmentioning
confidence: 99%
“…For instance, Thomsen and Vester (2016) used Peirce's sign system to develop a visual semiotic-based authenticity typology including iconic, indexical and symbolic authenticity. Other scholars adopted a combination of content analysis and semiotic analysis (Hunter 2013(Hunter , 2015(Hunter , 2016Lian & Yu 2017;Stepchenkova & Zhan 2013).…”
Section: Semioticsmentioning
confidence: 99%
“…It is also an important factor in the area of tourism. Instead of benchmarking or hard branding, Convention & Visitor's Bureaus (CVBs) should seek a socially constructed or organic destination image (Hunter, 2016).…”
Section: Soft Powermentioning
confidence: 99%
“…Online photographs have become a communication mode for internet users. This phenomenon has completely changed the rules of photographic culture by transforming representations of an experience into a hyper-reality simulation (Hunter, 2016). A destination image is not easy to change since it is formed by historical and experiential sources, and it is unclear which online photographic representations of destinations will be influential in the vast internet world (Govers & Go, 2004).…”
Section: Online Photographsmentioning
confidence: 99%
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