The Social Body of Béla Balázs

Abstract

Focusing on the interwar writings of the film journalist and theorist Béla Balázs, this article argues for an understanding of Balázs’s film aesthetics as grounded in a popular politics of the body. Balázs understood film as a medium in which experiences of image, sound, and expressive movement and gesture shape human subjectivities within a newly mediatized social realm. The article explores Balázs’s consequent plea for a film politics of popular embodiment and asks what a survey of Balázs’s writings as both critic and theorist tell us about the political valences of his film theory now.