The Slipperiness of Name: Biography and Gender in Australian Cultural Databases

Abstract

In this article, we examine and historicise problems related to name and gender in biographical and cultural databases. Combining theoretical and computational approaches to onomastics, we identify contradictory naming conventions, intriguing patterns and distinct institutional vestiges in the recording and representation of artistic careers. We evaluate the affordances and constraints of naming conventions in Australian cultural databases, considering evolving trends in data collection and use, in relation to the complex lives of individual artists. We argue that this local‐level analysis extends to wider transnational debates in historiography, gender studies and digital humanities research today and propose some conceptual and technical solutions for building and using cultural databases in the future.

Person‐Oriented Ontologies Analysis for Digital Humanities Collections from a Metadata Crosswalk Perspective

“…We found person's name varies according to migration, pseudonyms, indigenous names, and legal name changes e.g., divorce or marriage (Sumner, Fensham, Cutter, & Mendelssohn, 2022). Compilers in different datasets would make different decisions about the display name (Cutter, Sumner, & Fensham, 2023). Gender transitions are also an important problem that causes ambiguity about names and creates a situation where the person concerned may not wish to have the two names linked (T. Wagner, 2022).…”