The Significance of Photography as Archives and Cultural Memory

Setiadi, Criscentia Jessica

doi:10.21512/humaniora.v8i2.3894

Cited by 3 publications

(2 citation statements)

References 8 publications

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“…Returning home, she teaches and does research about English poetry, proses, drama and other literary forms and expressions. Her research includes the discussion of photography as archive which highlights creation and recreation (Setiadi, 2017). In addition to teaching and researching, she has also been a prolific poet.…”

Section: Methodsmentioning

confidence: 99%

With the New Technology in Hands and New Audiences in Minds: A Review of Creative Adaptation Process Model

Rifai,

Prawati,

Setiadi

et al. 2023

E3S Web Conf.

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Storytellers such as writers, artists, and film makers need to carefully devise a plan, undergo a lengthy process, supply workforce, and determine relevant technology required in producing creative work. The adaptation of a creative work to a different mode poses challenges to these creative hands and minds. One obvious challenge is for adapters to find the equivalents for signs that might be unique between modes. Coming from different fields and expertise, the authors met regularly to compare and discuss the creative processes within our fields when adapting creative fictions into different forms (film, comic, and audiobook). We followed the “expert interview” research method protocol, where the two of us interviewed the experts of intersected fields to gather qualitative data. The discussion and interviews resulted in a model called creative adaptation process. With the projection of it being implemented in at university level, we examined the model by using sociocultural perspectives. The examination shows that the model makes it possible for university students to collaborate with other students of different disciplines in producing creative work and use relevant tool and technology to support their work in transforming from one mode to another. To review the adaptability of the model along with its implementation in different contexts and disciplines, extended reviews of the model from external parties is required.

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Section: Methodsmentioning

confidence: 99%

With the New Technology in Hands and New Audiences in Minds: A Review of Creative Adaptation Process Model

Rifai,

Prawati,

Setiadi

et al. 2023

E3S Web Conf.

Self Cite

View full text Add to dashboard Cite

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“…Pictures are still images taken to capture the moment or scene of a particular time, either for aesthetic or memory purposes (Cross & Peck, 2010). It plays an essential role as they have the archival trait (Setiada, 2017), enabling people to get a sense of reality when the photograph was taken, making it a form of realistic representation of the past (Halabi, 2011). us, the purpose of pictures for this paper act as a vital visual source and reference in assessing the relationship between history and local fashion in Brunei.…”

Section: Methodsmentioning

confidence: 99%

Baju Kurung or Baju Kebaya? Framing the History of the Brunei Women’s Fashion

Kamaluddin

Kumpoh

2022

Hist Stud J

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This article investigates the relationship between women’s fashion in Brunei Darussalam and the historical factors that influenced the evolution of the former in the 1960s, the 1970s, and the 1980s. By employing a qualitative visual analysis method, this study analyzed photographs of Brunei women published in the national newspaper Pelita Brunei from the 1960s to the 1980s. Document review and thematic coding analysis were employed to frame and examine the historical context within which Brunei women’s fashion experienced a significant spectrum of trends. The findings of this study indicate that the evolution of women’s fashion in the 1960s and 1970s was primarily due to a combination of domestic and external influences such as the growth of popular entertainment, education, government’s role, and, to a considerable extent, the societal expectation towards women and the Islamic resurgence in the Southeast Asian region. In comparison, in the 1980s, Brunei women’s fashion was characterized strongly by Islamic ideals due to the declaration of Melayu Islam Beraja (MIB) as the State Philosophy, concomitant to Brunei’s independence in 1984. Based on these findings, this article proposes some potential research directions that can be pursued by future research. Artikel ini menyelidiki hubungan antara busana wanita di Brunei Darussalam dan faktor-faktor sejarah yang memengaruhi evolusi gaya busana wanita di tahun 1960-an, 1970-an, dan 1980-an. Dengan menggunakan metode analisis visual kualitatif, penelitian ini menganalisis foto-foto perempuan Brunei yang dimuat di surat kabar nasional Pelita Brunei dari tahun 1960-an hingga 1980-an. Tinjauan dokumen dan analisis pengkodean tematik digunakan untuk membingkai dan memeriksa konteks historis di mana mode wanita Brunei mengalami spektrum tren yang signifikan. Temuan penelitian ini menunjukkan bahwa evolusi mode wanita pada tahun 1960-an dan 1970-an terutama disebabkan oleh kombinasi pengaruh domestik dan eksternal seperti pertumbuhan hiburan populer, pendidikan, peran pemerintah, dan, sampai batas tertentu, masyarakat. harapan terhadap perempuan dan kebangkitan Islam di kawasan Asia Tenggara. Sebagai perbandingan, pada tahun 1980-an, busana wanita Brunei sangat dicirikan oleh cita-cita Islam karena deklarasi Melayu Islam Beraja (MIB) sebagai Filosofi Negara, bersamaan dengan kemerdekaan Brunei pada tahun 1984. Berdasarkan temuan ini, artikel ini mengusulkan beberapa penelitian potensial. arah yang dapat ditempuh oleh penelitian masa depan. Cite this article: Kamaluddin, K., Kumpoh, A. (2022). Baju Kurung or Baju Kebaya? Framing the History of the Brunei Women’s Fashion Paramita: Historical Studies Journal, 32(2), 180-190. http://dx.doi.org/10.15294/paramita.v32i2.34526

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The Documentary Lives of d.a. levy's Buddhist Third Class Junkmail Oracle

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2018

Serials Review

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The Significance of Photography as Archives and Cultural Memory

Cited by 3 publications

References 8 publications

With the New Technology in Hands and New Audiences in Minds: A Review of Creative Adaptation Process Model

With the New Technology in Hands and New Audiences in Minds: A Review of Creative Adaptation Process Model

Baju Kurung or Baju Kebaya? Framing the History of the Brunei Women’s Fashion

The Documentary Lives of d.a. levy's Buddhist Third Class Junkmail Oracle

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