The Sense of Rhythm: Nationalism, Sympathy, and the English Elocutionists

Abstract

This essay traces a peculiar conception of linguistic rhythm developed by the English Elocutionists and imagined to foster strong sympathy among members of linguistic communities. Focusing on Joshua Steele's An Essay Towards Establishing the Melody and Measure of Speech (1775), I demonstrate that such rhythm and the fellow-feeling it fosters were imagined as at once national and personal as well as formal and embodied. This conception of linguistic bonding coheres with David Hume's early discussion of sympathy, while also offering interesting solutions to problems in Adam Smith's later theatrical model. Additionally, it provides an illuminating perspective on the much debated ethic of speech, as it was shaped by Rousseauvian nostalgia and reconsidered in more recent deconstructive and psychoanalytic theorizations of presence.

The 18th-century elocution movement and Facebook: reading emotion before and after the subject

“…The actions that Burgh prescribes in these annotations are, in 18th-century terms, sympathetic – the speaker, and thus the audience, should feel a diminished version of what the characters in a story feel (see George, 2009; Yahav, 2011). This passage is only one of a number of instances in Burgh’s annotations where the emotions and even bodily movements of other characters seem to bleed through sympathetically into the speaker’s affect.…”