The Cambridge History of Seventeenth-Century Music 2005
DOI: 10.1017/chol9780521792738.008
|View full text |Cite
|
Sign up to set email alerts
|

The search for musical meaning

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...

Citation Types

0
1
0

Year Published

2017
2017
2018
2018

Publication Types

Select...
1
1

Relationship

0
2

Authors

Journals

citations
Cited by 2 publications
(1 citation statement)
references
References 13 publications
0
1
0
Order By: Relevance
“…The aversion to the printing or "fixing" of some genres of seventeenth-century music has been discussed by Tim Carter with reference to composer-performers who were ambivalent about committing their virtuosic art to print. 100 Carter suggests that in many cases, "these musical texts were designed to be somehow brought to life in performance, and thus . .…”
mentioning
confidence: 99%
“…The aversion to the printing or "fixing" of some genres of seventeenth-century music has been discussed by Tim Carter with reference to composer-performers who were ambivalent about committing their virtuosic art to print. 100 Carter suggests that in many cases, "these musical texts were designed to be somehow brought to life in performance, and thus . .…”
mentioning
confidence: 99%