2016
DOI: 10.1515/zaa-2016-0016
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The Scientist as ‘Problematic Individual’ in Contemporary Anglophone Fiction

Abstract: Our contribution examines the construction and the functions of complex and multi-dimensional scientist characters in contemporary fiction. Our analysis of three very different novels from different branches of Anglophone literature – Ian McEwan’s

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Cited by 6 publications
(2 citation statements)
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“…It posited, sometimes implicitly, sometimes explicitly, that literary fiction might have the power to produce such 'better stories about science' -that the stories told in fictional narratives might hold insights and enable perspectives which would, along the way, result in allowing readers to develop more differentiated, more complex as well as sometimes more informed 'understandings' and 'engagements' with science, presenting not merely the rewards and incentives but also, and prominently, the practical and financial pressures and obstacles, the mixtures of teamwork and competition found in laboratories and research institutes, the multiple demands and expectations on the part of different parts of the public, of funders, politicians, and media, and the complexities of keeping all this concealed or getting it communicated as the situations might require. The idea was that the special properties of the novel, instead of being reduced to the purposes of science communication, might have the effect of enabling communication about science with a difference (see Gaines et al 2013; see also Kirchhofer and Auguscik 2017;and Kirchhofer and Roxburgh 2016).…”
Section: Better Stories About Science? Working With the Inter-and Meta-discursive Dimensions Of Narrative Fictionmentioning
confidence: 99%
“…It posited, sometimes implicitly, sometimes explicitly, that literary fiction might have the power to produce such 'better stories about science' -that the stories told in fictional narratives might hold insights and enable perspectives which would, along the way, result in allowing readers to develop more differentiated, more complex as well as sometimes more informed 'understandings' and 'engagements' with science, presenting not merely the rewards and incentives but also, and prominently, the practical and financial pressures and obstacles, the mixtures of teamwork and competition found in laboratories and research institutes, the multiple demands and expectations on the part of different parts of the public, of funders, politicians, and media, and the complexities of keeping all this concealed or getting it communicated as the situations might require. The idea was that the special properties of the novel, instead of being reduced to the purposes of science communication, might have the effect of enabling communication about science with a difference (see Gaines et al 2013; see also Kirchhofer and Auguscik 2017;and Kirchhofer and Roxburgh 2016).…”
Section: Better Stories About Science? Working With the Inter-and Meta-discursive Dimensions Of Narrative Fictionmentioning
confidence: 99%
“…In contrast to public media reports about scientists in extreme situations, some contemporary novels are invested in stories about science and scientists for their own sake. Such "science novels" (Schaffeld 2016;Kirchhofer and Roxburgh 2016) often represent scientific expeditions as a particular practice for producing scientific knowledge with a similar detail and complexity they devote to representations of labwork. This interest may not be matched by the entire genre spectrum of the science novel.…”
mentioning
confidence: 99%