The Routledge History of Literature in English

Carter, Ronald; McRae, John R.; Bradbury, Malcolm

doi:10.4324/9780203291801

Cited by 47 publications

(7 citation statements)

References 0 publications

Supporting

Mentioning

Contrasting

Unclassified

Order By: Relevance

“…In the same way, this book, while respecting real and important differences between L1 and L2 students of language and literature, is reluctant to strictly separate the two constituencies. Jacket publicity for Carter and McRae (2001) significantly refers to 'students of writing', where earlier works addressed students of literature, and to 'English Studies' which is inexorably replacing longer established ideas of 'Eng Lit'.…”

Section: Literature In a Communicative Approach Perspectivementioning

confidence: 98%

Literature in Language Education

Hall

2015

View full text Add to dashboard Cite

Research and Practice in Applied Linguistics Series Standing Order ISBN 978-1-403-91184-1 hardcover 978-1-403-91185-8 paperback (outside North America only)You can receive future titles in this series as they are published by placing a standing order. Please contact your bookseller or, in case of difficulty, write to us at the address below with your name and address, the title of the series and the ISBN quoted above.

show abstract

Section: Literature In a Communicative Approach Perspectivementioning

confidence: 98%

Literature in Language Education

Hall

2015

View full text Add to dashboard Cite

show abstract

“…In great dramatist like Marlowe and Shakespeare, we mark harmony between visual and auditory aspects of dramas [9] [10]. They insist on harmony between what we say and what we do as we hear Hamlet speak [11] :…”

Section: The Foregoing Discussion Leads To What Allardycementioning

confidence: 99%

Origin and Growth of Early English Dramas from the Pre-Dramatic Stage to the Advent of Christopher Marlowe

Singh¹

2018

ijesacbt

View full text Add to dashboard Cite

Before the rise of proper drama in English literature people entertain one another through mimicry and make beliefs. The Church had objections to dramatic performances at first. Eventually and ironically that very Church became the great force to bring into existence proper dramas, in the precincts of the Church. Then we find minstrels entertaining people and village festivals and folk-plays also contributed to the growth of drama. Lastly, town-guilds took over the representation of plays and the large number of people took interest in such plays and their knowledge about basic things in their life consequently increased. .

show abstract

“…Imagism was a movement designed to replace the 'soft', discursive narrative voice of Victorian verse with a harder, more condensed, Imagistic language-'nearer the bone'." 37 The vortex, whose proponents are Windham Lewis and Ezra Pound is also gender biased. Goldman states that "The Vortex is a gendered image."…”

Section: ‫الملخص‬mentioning

confidence: 99%

Modernism , Masculinity and Misogyny

Bellour

2014

مقاليد

View full text Add to dashboard Cite

This paper evinces that Modernism, in poetry, is gendered masculine. Male Modernists coin their artistic theories, which are abrasive, in tune with their misogynistic predilection. These theories adamantly refuse personality and emotions. They vituperate subjectivity and sentimentalism because they are feminine. Since the modern age is threatened by femininity, they promote a kind of masculine writing marked by objectivity, scientificity, impersonality, difficulty, hardness, virility, and elitism.

show abstract

The Routledge History of Literature in English

Cited by 47 publications

References 0 publications

Literature in Language Education

Literature in Language Education

Origin and Growth of Early English Dramas from the Pre-Dramatic Stage to the Advent of Christopher Marlowe

Modernism , Masculinity and Misogyny

Contact Info

Product

Resources

About