2016
DOI: 10.5642/jhummath.201601.10
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The Role of Sequence in the Experience of Mathematical Beauty

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Cited by 5 publications
(4 citation statements)
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References 14 publications
(26 reference statements)
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“…Furthermore, this sixth-grade classroom is not the only place where student captivation to unfolding mathematical content can occur. The mathematical stories that have accompanied other such responses have been documented and analyzed using the mathematical story framework in a variety of other contexts such as lower elementary and high school (Dietiker, 2016;Dietiker et al, 2016). However, these analyses constitute merely a start; further studies are needed to discover and document the variety of mathematical sequences that occur in aesthetically rich lessons.…”
Section: Discussionmentioning
confidence: 99%
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“…Furthermore, this sixth-grade classroom is not the only place where student captivation to unfolding mathematical content can occur. The mathematical stories that have accompanied other such responses have been documented and analyzed using the mathematical story framework in a variety of other contexts such as lower elementary and high school (Dietiker, 2016;Dietiker et al, 2016). However, these analyses constitute merely a start; further studies are needed to discover and document the variety of mathematical sequences that occur in aesthetically rich lessons.…”
Section: Discussionmentioning
confidence: 99%
“…The key elements of literary stories (i.e., characters, action, and setting) can be mapped to their corresponding aspects within an enacted mathematics lesson (Dietiker, 2015(Dietiker, , 2016. The mathematical characters of a mathematical story are the mathematical objects, (e.g.…”
Section: The Mathematical Story Frameworkmentioning
confidence: 99%
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“…Although characteristics of lesson experiences that relate to situated interest are relatively unknown, some evidence has shown that incongruity, surprise, and novelty are particularly influential (Matarazzo, Durik, & Delaney, 2010).Situated interest is only one dimension of the potential emotional effects a particular experience can offer. The way in which a mathematical lesson moves an individual also involves reactions to beauty, exciting action, and suspense--aspects of an experience that we refer to as aesthetic dimensions (Dewey, 1934;Dietiker, 2016;Sinclair, 2001). Researchers are beginning to explore how to design and enact what Sinclair (2001) calls "aesthetically-rich" mathematical experiences, which are those that "enable children to wonder, to notice, to imagine alternatives, to appreciate contingencies and to experience pleasure and pride" (p. 26).…”
mentioning
confidence: 99%