2001
DOI: 10.1016/s0042-6989(00)00251-0
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The role of chromatic contrast and luminance polarity in stereoscopic segmentation

Abstract: We have investigated whether our ability to discriminate the stereoscopic depth of random-dot targets set amongst random-depth distractors is facilitated when target and distractors differ in particular combinations of colour and luminance polarity. For flat-plane targets, stereo-thresholds were found to be lower with a target-distractor colour/luminance difference, but only when that difference enabled the target elements to be identified in the monocular image, either by virtue of being less numerous than th… Show more

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Cited by 6 publications
(5 citation statements)
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“…Our results complement a number of previous findings exploring the role of color vision in texture-processing 21 22 and in other types of figure-ground relationship, such as the detection of global motion 15 23 24 25 26 27 28 29 , and stereoscopic targets embedded in multiple-depth distractors 30 . All these studies failed to find evidence for color-specific channels mediating the particular motion/form/depth task.…”
Section: Discussionsupporting
confidence: 87%
See 1 more Smart Citation
“…Our results complement a number of previous findings exploring the role of color vision in texture-processing 21 22 and in other types of figure-ground relationship, such as the detection of global motion 15 23 24 25 26 27 28 29 , and stereoscopic targets embedded in multiple-depth distractors 30 . All these studies failed to find evidence for color-specific channels mediating the particular motion/form/depth task.…”
Section: Discussionsupporting
confidence: 87%
“…Croner and Albright 28 29 were the first to explore the effect of segregating target and distractors by color in global motion, and suggested that one explanation for the advantage in the segregated condition was that subjects were able to selectively attend to the target colour. Li and Kingdom 15 30 went on to directly test the attention-to-color idea using a global motion stimulus in which all pre-attentive cues as to the target color were removed, and found that global motion thresholds were no better when target and distractors differed in color. However, when subjects were cued as to the target color, performance increased.…”
Section: Discussionmentioning
confidence: 99%
“…The finding that subitizing mechanisms are non-selective to colour and luminance polarity complement a number of previous findings exploring the role of these features in shape processing [81,82], texture-processing [83,84] and in a variety of figure-ground relationships [85][86][87][88][89][90][91][92], which all failed to find evidence for colour-specific and luminance-polarity ('on-off') specific channels mediating the specific dimension of interest (e.g., global shapes/lines, global motion, texture-shape, stereoscopic depth). The finding that subitizing mechanisms do not depend on 'on-off' luminance-polarity, colour or orientation channel interactions has implications for studies investigating groupitizing phenomena which are thought to rely on the recruitment of the subitizing system [55,56,[60][61][62][63].…”
Section: Plos Onesupporting
confidence: 75%
“…Feature-based attention mechanisms have been found to mediate many visual processes [ 94 ]. Several studies have shown that attention-to-colour (and/or luminance polarity) improves performance for symmetry detection [ 95 ], global motion discrimination [ 86 , 90 , 96 ], stereoscopic segmentation [ 91 ] in the absence of colour or luminance-polarity selectivity of these mechanisms (symmetry, motion, disparity). Furthermore, evidence showing decreased performance with increasing number of colours in the stimuli has been also reported for symmetry detection [ 95 , 97 ] with or without attention to colour.…”
Section: Discussionmentioning
confidence: 99%
“…The anti-correlations in color contrast degrades stereopsis (34). Kingdom et al (35) concluded that it was unnecessary to pre-filter the image into separate color maps before the image underwent stereopsis processing for the visual system. Reports also tend to agree that visual features are somehow given a "label" based on their chromaticities and that stereoscopic matches with the same label are favored over those without (33,36).…”
Section: Discussionmentioning
confidence: 99%